Previously offered only as a concentration (RISD’s version of a minor), the CTC department will encompass two new undergraduate majors: Art and Computation, and Sound.... READ MORE...
From a pearl farm to a wholesale market in East China specialising in small plastic articles, from the processing of instant meals to a factory producing antimatter—the artist uncovers in absurd and humorous narratives the connections between disparate locations, people, and resources, shedding light on our increasing alienation in a profit-oriented world.... READ MORE...
Presented alongside the interactive structure—and curated through the lenses of ecology, energy and technology—are seven time-based creative works by Fayen d’Evie, Stuart Geddes and Žiga Testen with Will Neill, Alicia Frankovich, Emma Jackson, Farzin Lotfi-Jam, Nicholas Mangan and Cameron Allan ... READ MORE...
Specific for the MDes programme is the connection between the tradition of Swiss Graphic Design and fast-developing Digital Technologies in visual communication. Through a process-oriented approach, which involves digital as well as analogue material, creation of variations and their critical evaluation in a comparative analysis take place... READ MORE...
These courses have been designed in conjunction with Westminster’s prestigious Centre for Research and Education in Art and Media (CREAM). CREAM is a world-leading centre in practice-based, critical, and historical research in art, creative and interdisciplinary practice.... READ MORE...
Turin is a city with an industrial past, recently converted in a cultural hub, it is enriched by an interesting natural heritage, although there are ongoing proposals for exploiting green areas and parks for private economic interests; Malaga has an urban centre overwhelmed by the process of gentrification and touristification, where phenomena of activism and resistance of the citizens have developed.... READ MORE...
Machines, through their interaction with humans and nature, revolutionize the world. From the power loom and the steam engine, the electric generator and the microchips, to the Internet and its data centers and planetary-scale computing systems that characterize the present era.... READ MORE...
Nam June Paik, Nam June Paik, and Nam June Paik highlights the fact that all artistic formats are connected to one another and that the art museum is a good place to enjoy the experimental genius and craziness of Paik’s creations.... READ MORE...
Working in performance, sculpture, and with online and interactive technologies, Bilal’s interdisciplinary practice investigates the dynamic between international and interpersonal politics while highlighting the tension between the United States, which he has deemed the “comfort zone,” and the “conflict zone” of Iraq.... READ MORE...
In her artistic practice Mariechen Danz explores methods and models of human knowledge. In installations and performances she combines scientific systems for appropriating and describing the world, with subjective, alternative and magical thinking... READ MORE...
Cinthia Marcelle’s oeuvre is a logical evolvement of the socio-political art produced in twentieth-century Brazil, where material experimentation was combined with conceptional and formal rigour and implemented in a manner that was uniquely participatory... READ MORE...
In these wired times of machine intelligence and computational acceleration, microchip wars and platform powers, the artworks featured in this exhibition cast a sideway look at techno-driven progress.... READ MORE...
The exhibition will include a total of 28 paintings by the artist, presenting both recent works and examples from the early stages of Venet’s career. The central axis of this exhibition is mathematics, which, in Venet’s words, encompasses “the greatest abstraction ever created.”... READ MORE...
The Institute of Arts and Society at the University of Applied Arts Vienna invites applicants for “Cross-Disciplinary Strategies. Applied Studies in Art, Science, Philosophy, and Global Challenges” (CDS).... READ MORE...
The research project differentiates from other contemporary practices of adaptive reuse, driven by historical preservation, environmentalist, or sentimental reasons. It looks at the contexts, where reuse emerges from urgency—whether due to scarcity of materials, political turmoil, or climate crises.... READ MORE...
Rather than viewing collapse as mere destruction, the exhibition embraces it as a generative force. It considers collapse as a moment of new beginnings, where brokenness is understood as a condition to embody and negotiate, rejecting the neoliberal logic of repair.... READ MORE...
QUESTION #1: Recently you’ve started a network for biofeedback artists and researchers, can you tell more about the origins of it?
Sure, that’s my... READ MORE...
“Voices”is a landscape in which remoteness is compressed, events are co-generated, interfaces disappear, humans and non-humans connect through new languages and the whole evolves and transforms relentlessly throughout time.... READ MORE...