Sound

Pablo Gav. The Sound Art In Mexico City

To write about Mexico City as an emergent scene for contemporary music and sound art seems a difficult task. There is a lack of information and specialized publications. Thanks to some artists like Manuel Rocha Iturbide this scenario is slowly changing. Some academic essays are available on line, few catalogs of exhibitions that included sound art pieces or installations, and mostly we find artists websites and some festivals publications. These are the nodes available to build a network of scattered references.... READ MORE...

Touching The Music. Baschet Laboratory Of Sound Sculpture

They are strange, colorful, made of cardboard, tinfoil and glass sheets, this strings of metal. They are beautiful to behold. Above all, they make you feel like you want to touch them. The ambiguity of the verb tocar a term that in Spanish means also to play (a musical instrument) appears to have originated from them. It is sufficient to touch them with your fingers slightly wet. They will emit magnificent sounds, sounds that you could produce using a traditional instruments only after years of hard practice. These objects go by the name of Cristal Baschet and other works produced by the brothers Francois & Bernard Baschet, to whom Museu de la Musica di Barcellona is dedicating a solo exhibition, which will last until December 19, 2011.... READ MORE...

Climbing Aesthetics. Libia Castro & Olafur Olafsson

Last June, on the train to Venice, I was reading with little timingThe Radicant, Nicolas Bourriaud’s last essay published already in 2009 by Sternberg Press. A few hours later, I was in the charming courtyard of the Collegio Armeno, which houses the Icelandic pavilion of the 54th Venice Biennial: Libia Castro & ÃÆ'â€Å'lafur ÃÆ'â€Å'lafsson’s exhibition Under Deconstruction.... READ MORE...

The Theatre Of Sound. Acoustic Research By Fanny & Alexander

Among the most interesting backgrounds on a European level, Fanny & Alexander was founded by Luigi de Angelis and Chiara Lagani (with the stable contribution of the actor Marco Cavalcoli) in 1992. Fanny & Alexander, which has asserted itself as research group in the theatrical context, produces works of art marked by the contamination of different artistic disciplines.... READ MORE...

Black Sound White Cube

The exhibition Black Sound White Cube will present works by ten international artists that refer to the musical traditions of the Afro-Atlantic diaspora. Black Sound White Cube thus seeks to trigger discussions off the beaten track of the hegemonic fields of avant-garde and pop. Black Sound White Cube is based on the eponymous book by German artist Ina Wudtke and Belgian philosopher Dieter Lesage published in 2010. The central proposition of the book is that the white cube not only looks white but also sounds white.... READ MORE...

Biorhythm: Music And The Body

Science Gallery is presenting Biorhythm: The Music and the Body as the first exhibition to ever appeared at the New York based World Science Festival last beginning of June and is now hosted at the Eyebeam Art + Technology Center in Chelsea The exhibition is made possible thanks to the support of Imagine Ireland, of Cordover Family Foundation and University of Dublin Fund.... READ MORE...

Biorhytham: Music And The Body

Science Gallery is presenting Biorhythm: The Music and the Body as the first exhibition to ever appeared at the New York based World Science Festival last beginning of June and is now hosted at the Eyebeam Art + Technology Center in Chelsea The exhibition is made possible thanks to the support of Imagine Ireland, of Cordover Family Foundation and University of Dublin Fund.... READ MORE...

Tuned City: Tallin

Hear Tallinn with new ears! Buildings and architecture are usually described in visual terms. But it is often our sense of hearing which assists us in experiencing and navigating through the spaces of urban cities. There is no sound without space and no space without a sound.... READ MORE...

The “scoppiatore”. The Intonarumori By Luigi Russolo

It is June 2, 1913. During a Futurist evening at the Teatro Storchi in Modena Luigi Russolo presents to the public the first of his Intonarumori, the scoppiatore. The public response is symptomatic of its lack of preparation in assisting to such performance. In a newspaper of the time La Gazzetta dell'Emilia, the review on 3rd June 1913 is entitled The Futurist happy evening at the Teatro Storchi'.... READ MORE...

The Dialectic Of Noise. An Aesthetic Perspective

Especially nowadays, noise is deeply-rooted in every individual. Being the unquestionable protagonist of our daily life brings two consequences: one is the development of a particular interest in noise as point of departure for different studies, and the other is the stratification of these studies and opinions. They overshadow the possibility of alternative readings and the rediscovery of the phenomenon with all its qualities.... READ MORE...

Roberto Pugliese. Digital Bio-acoustics

Roberto Pugliese is a distinguished representative of what is described above. He comes from a musical academic culture, but having soon felt the limits of a single view, he then began to look for other stimuli in the field of visual arts. This should be a reason of pride for the visual field, so often denigrated and abused, and moreover it helps to underline the need to mix different points of view.... READ MORE...

More Perfect Union. The Emotional Cartography By Luke Dubois

More Perfect Union, the last work by Luke Dubois (United States, 1975), artist, scholar, musician, represeted by the Bitforms Gallery in New York (directed by Steve Sacks e Laura Blereau), one of the most influential exhibition centers in the digital art scenario, places itself as an interesting attempt to investigate the sentimental life of americans, through the digital visualization potential.... READ MORE...

Costellations And Fragments. The Sound By Stephan Mathieu

Recently reading again the essay by Nicolas Bourriaud, Post Production. The culture comme scénario: comment l'art reprogramme le monde contemporain, I have found this excerpt of Mode d'emploi du détournement by Guy Debord, which to the detriment of his fiftyfive years - the text was published back in '56 - picks an extremely contemporary aspect of the artistic practise.... READ MORE...

Mapping Maciunas & Exercise

Stendhal Gallery is pleased to announce the opening of two exhibitions, Mapping Maciunas and Exercise on February 3, 2011. Both exhibitions examine the work of Fluxus artist, George Maciunas, who blended his education in architecture, graphic design and musicology to produce new ways of thinking about the state of contemporary society.... READ MORE...

Audiovisual Parameters. Paul Prudence’s “natural” Structures

Paul Prudence, real-time visual performer, works with procedural systems by exploring structures, graphic and generative potentialities of audiovisual systems. He is extraordinary, educated, intelligent, open-minded and capable of living in more worlds simultaneously, from the live-based media to the graphic art world, keeping his eyes always open wide on forms and composition rules, things that are not so easy to find in the turmoil of modern digital creativity. He is one of those hybrid figures standing on the edge of art and design who are now resorting to data visualization in order to describe, at the crossroads of art and algorithms, the storm of information surrounding us. The results are often unexpected.... READ MORE...