Software Art Archives • Page 8 of 24 • Digicult

Vanishing Point. The new exhibition at Bitforms Gallery

Redazione DigicultJune 7, 2013

At the birth of modern computing, we begin to plausibly imagine how our world could be digitally remade as small as possible. That is, it’s only after Turing fixed our technological gaze outwards onto infinity that we began our relentless dwindling inwards, towards miniaturized circuits and virtualization.... READ MORE...

News ArchiveScience

Harun Farocki: Playing the Game

Redazione DigicultMay 2, 2013

From April 12 to June 9, the Edith-Russ-Haus for Media Art is presenting Harun Farocki's first comprehensive solo exhibition in northern Germany, Playing the Game.... READ MORE...

News Archive

Hello World! Processing

Redazione DigicultFebruary 28, 2013

Three Junctures of Remix

Redazione DigicultFebruary 21, 2013

The exhibition Three Junctures of Remix features the art of Mark Amerika & Chad Mossholder, Arcangel Constantini, Giselle Beiguelman, and Elisa Kreisinger, a group of international artists who have explored and reflect on the implications of the creative act of remixing since the concept became popular beginning in the nineties.... READ MORE...

News Archive

Poetic Codings exhibition

Redazione DigicultFebruary 13, 2013

"Poetic Codings" is an exhibition that explores the relationship between art and technology. Through flatscreen displays, projections, interactive installations, and iPad apps it also addresses the differences between public and private viewing experiences. Many artists today embrace technology and find ways of integrating it into their practices.... READ MORE...

News Archive

Speaking Code. Coding as Aesthetic and Political Expression

Redazione DigicultJanuary 21, 2013

By Geoff Cox and Alex McLean - Speaking Code undermine the distinctions between criticism and practice and emphasize the aesthetic and political implications of software studies... READ MORE...

ArtBooks

Different Games Conference. Call for Proposal. Deadline 1/2/2013

Redazione DigicultJanuary 17, 2013

The Department of Technology, Culture and Society at New York University’s Polytechnic Institute invites submissions of original games, scholarly research, and workshop proposals for Different Games.... READ MORE...

Calls

Ben Rubin. San Josè Semaphore for Adobe code-breaking competition

Redazione DigicultNovember 2, 2012

Adobe announces that San Jose Semaphore, a major public artwork by noted digital artist Ben Rubin, will begin transmitting a new coded message across the San Jose, California, skyline at twilight on October 18.... READ MORE...

News Archive

Antoni Muntadas. “Entre / Between” exhibition at Jeu de Paume

Redazione DigicultOctober 22, 2012

The Jeu de Paume presents a major exhibition by internationally recognized artist Antoni Muntadas, one of the early practitioners of conceptual and media art.... READ MORE...

ArtNews Archive

Doc / Postdoc Research Fellowship on Gamification

Redazione DigicultOctober 16, 2012

The Centre for Digital Cultures in Leuphana University of Lüneburg in Germany, explores the conditions and effects of the production and circulation of computer & mobile games... READ MORE...

Calls

Computational Culture/Issue 2. A journal of software studies

Redazione DigicultOctober 11, 2012

Julian Oliver: Borderbumping

Redazione DigicultSeptember 5, 2012

Border Bumping is a work of dislocative media that situates cellular telecommunications infrastructure as a disruptive force, challenging the integrity of national borders.... READ MORE...

Activism

Life in Code and Software. Edited by David M. Berry

Redazione DigicultJuly 23, 2012

This book explores the relationship between living, code and software. Technologies of code and software increasingly make up an important part of our urban environment. Indeed, their reach stretches to even quite remote areas of the world... READ MORE...

BooksScience

Jeremy Bailey: “My art is a big apology of a white man living in a privilege world”

Lenka MorávkováJune 2, 2012

Although beeing 33 years old, Jeremy Bailey feature evokes a shy, blessed child with eyes wide open to the wonders of contemporary digital world. Smart enough to be critical, gamin enough to enjoy his work and let the audience enjoy his videotutorial-ish parodic allegories and interactive performancies along with him.... READ MORE...

Articles

Heath Bunting: Identity Bureau. Against Residual Self-Image

Ida HirsenfelderApril 2, 2012

Identity Bureau was established by Heath Bunting to construct a custom-made physical person for the user, who would be able to function freely in society. The activities of the bureau extend also to instructions for other users to construct their own new identities. It undermines the habitual ways of climbing the social ladder and offers an alternative system to the dictate of there being a one and only "official" identity allocated to the individual by the state authorities.... READ MORE...

ArticlesDigimag - Issue 72, March 2012

Transmediale: The Exhibition. Uneasy energies in Technological Times

Marco MancusoApril 2, 2012

"Dark Drives. Uneasy Energies in Technological Times" curated by Jacob Lillemose, has largely complied with these resolutions, which I perceived as a pretty interesting purpose, and brave in their way, for a festival like the Transmediale, an event deeply rooted in the media culture, on an European and international level.... READ MORE...

ArticlesDigimag - Issue 72, March 2012

Law Of The Instrument. An Interview with Constant Dullart

Mathias JanssonApril 2, 2012

When I heard about the Easter egg that make the Google search page rotate when you type “do a barrell” in the search field, I thought: “Hey wait a minute, this is old news. Constant Dullaart has already created the http://therevolvinginternet.com/ which make the same effect!”... READ MORE...

ArticlesDigimag - Issue 72, March 2012

Anything I Love Goes Into My Brain. An Interview With Rafael Rozendaal

Mathias JanssonNovember 7, 2011

In the year 2000, Miltos Manetas published the famous Neen Manifesto in which he describes a new unidentified generation of artists who glorifies computers, artificially simulation and who use the web as their gallery. Two years later, Manetas and Peter Lunenfeld manifested the Neen concept in a spectacular 'hijacking' of the Whitney biennals domain name... READ MORE...

ArticlesDigimag - Issue 69, November 2011