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Imagining Media @ Zkm

The future is the declared objective of the ZKM | Center for Art and Media Karlsruhe. On the occasion of its jubilee, twenty years after its foundation in 1989 the institution now casts back to its past with the opening of an exhibition, which brings the history of the ZKM to life: in a large-scale overview presentation commencing on the 10 October, the best of media art works produced by international artists at the ZKM will be presented.... READ MORE...

Carlo Zanni at CAM in New York

The Chelsea Art Museum is proud to announce the debut of Carlo Zanni's installation Flying False Colors (The Sixth Day). Presented by The Project Room for New Media at CAM from October 1 to October 31, this multimedia project loosely refers to the 1975 espionage film Three Days of the Condor, directed by Sydney Pollack, which was one of the first films to suggest a link between covert US military operations and the control of oil production in the Middle East... READ MORE...

Meet the media guru Steven Berlin Johnson

Steven Berlin Johnson è giornalista e autore di numerosi libri di successo che esplorano le interrelazioni tra scienza, tecnologia, media e mondo reale. La chiave della sua notorietà sta senza dubbio nella sua capacità di interpretare e prospettare le traiettorie future di fenomeni complessi attraverso un approccio multidisciplinare che individua processi e principi trasversali.... READ MORE...

Corpi, Automi, Robot Tra Arte, Scienza e Tecnologia

Il Museo d'Arte, nell'ambito delle iniziative promosse dal Polo Culturale della Città di Lugano, organizza, in collaborazione con la Fondazione Antonio Mazzotta di Milano e con la partecipazione del Museo Nazionale della Scienza e della Tecnologia "Leonardo da Vinci" di Milano e del Museo Cantonale d'Arte di Lugano la mostra "Corpo, automi, robot. Tra arte, scienza e tecnologia", la quale affronta con un approccio interdisciplinare il rapporto tra il corpo umano e la rappresentazione che di esso è stata data da parte delle arti, della scienza e della tecnologia, soprattutto per quanto riguarda la dinamica dell'imitazione del corpo (con gli automi) e della sua sostituzione (con i robots).... READ MORE...

The Leonor Annenberg Prize for art and social change

Creative Time is pleased to announce the inception of a new, 25,000 USD award: The Leonore Annenberg Prize for Art and Social Change, presented by Creative Time to an artist who has committed her/his life's work to social change in powerful and productive ways. The first recipient of the prize is The Yes Men, and it will be bestowed during the opening ceremony for The Creative Time Summit: Revolutions in Public Practice, on October 23 from 6 to 8pm in the historic Stephen A. Schwarzman building of the New York Public Library... READ MORE...

Volavola / Fly Me. Preview Machinima In Paris

New on YouTube: the interesting preview of VolaVola/FlyMe by Berardo Carboni. A small 3-minutes sample which mixes the machinima filming technique with a cartoon effect which got the attention of famed cyber-futurologist Bruce Sterling, who defines it on Wired blog disorienting. Let's see what it is about, with the help of its creator, machinima-operator Evo Szuyuan.... READ MORE...

Madden 12x A Second. When The Eye Flickers In Milan

From the 17th to the 26th September at the DOCVA (Documentation Center for Visual Arts) in Milan, via Procaccini 4, took place the exhibition 'Quando l'occhio trema. Il flicker fra cinema, video e digitale' (When the eye shakes. A flicker between cinema, video and digital world'. It is a videoscreening created by Claudia D'Alonzo (Digicult) and Mario Gorni (Careof DOCVA) and made of15 works of art which play the so called 'flicker' effect.... READ MORE...

Tony Oursler: Round-nosed Whistiling-jack-off-dumb-fuck

Tony Oursler is one of the most internationally renowned multimedia artists, born in 1957 in New York City, where he lives and works. In the eighties he began to make short videos, and later he began to design installations where he set sound and video. Since the nineties the use of mannequins became a constant feature of his work, puppets and dolls were the stars of his installations.... READ MORE...

Voom, By Robert Wilson:the Surface Of A Myth

There is a figure which seems to stop the time, move with care along its borders, fly above it, go through it but then sit outside it. It is a man who wears only his slips and stand in front of us, fixing us. Above us the rain begins to fall. The light is steered by a blinding intense blue which looks like a chemical color lent by Klein's imagination or by the fluorescent lamp of a sleazy club.... READ MORE...

Seismographs Of Time. A Conversation With Roberto Paci Dalo’

Among the main figures of contemporary experimentation, Roberto Paci Dal˜ is a director, multimedia artist and composer/performer. He is director and creator of the Giardini Pensili group. His research develops within an area that goes from the development of radio interventions to sound installations; from the development of plays to the building of virtual stages like the Itaca project commissioned by the Teatro di Roma and directed by Mario Martone (1999-2000), passing through the development of the film that, as in the case of Petr˜leo México (2004) was presented at the Locarno International film festival... READ MORE...

Climate Justice Action: Precarious United For Climate Action

The economic crisis has heavily hit the precariat -- the sum of those working non-standard, temporary, part-time contracts in services and industry -- worse than any other social class. Millions of precarious youth, women, immigrants are being made redundant by the Great Recession. Unemployment has skyrocketed from the US to the EU, from Iceland to Japan. Those responsible for the crisis -- big banks, investment funds, free-market economists and policy-makers -- whitewash and greenwash without shame as if nothing happened and go on with business as usual. Governments are giving trillions to the bankers and peanuts to the permatemps.... READ MORE...

Facebook’s Slackers

Imagine you have a Facebook account. It isn't difficult at all. Imagine you are Danish and live in Copenhagen and someone asks you to share a cause aiming to defend the Stork Fountain, the city symbol, which is going to be knocked down. If you were a citizien who belives in the historical identity of the city where you live, you would probably share the cause without problems and maybe you would also widespread the idea among your friends. There is only one thing: this piece of news is totally false. Nobody has ever thought to knock down the most important sightseing of the Danish capital.... READ MORE...

Raul Martinez: The Tenderness Of Metal

Although Digimag deals with digital culture, this month we want to devote a well-deserved space to an artist, whose work does not exactly fall within this category, but it perfectly places itself within that field of research that our magazine carries out in the framework of (applied and reused) technology, mechanics and art. The general trend does no longer lie in the celebration of technology in itself, but aims to grant priority to the concept and the tangibility, also when, in order to obtain them, the artist uses techniques and materials that are not exactly the latest fad.... READ MORE...