Art

Reactivating Videographies: art and digital media

Redazione Digicult

With the aim of bringing to the fore different working methods and formats in video art inside the current health care context, the online exhibition Reactivating Videographies displays a selection of works which are arranged to form a reflection on video art and its artists. Thus, a virtual public space comes into being over a two-year period to showcase... READ MORE...

Not all biennials are the same: “Le Biennali Invisibili”

Redazione Digicult

Le Biennali Invisibili is an online project that provides a non-linear form of storytelling through a series of 11 "invisible biennials," each based on a fictional scenario created by the authors of the project, and accompanied by a critical response from an external contributor. The 11 short texts are inspired by Italo Calvino’s novel Invisible Cities and depicted... READ MORE...

“A stranger’s soul is a deep well”: the mystery of the other

Redazione Digicult

Fridman Gallery presents A stranger’s soul is a deep well, a multidisciplinary exhibition highlighting the work of nine contemporary artists. The works on view reflect the artists’ respective interior lives, hidden from the outside gaze and detached from judgements and trends.... READ MORE...

Glitch Art, the first glitch video art group exhibition in Iran

Redazione Digicult

A group video art exhibition titled Glitch Art: Pixel Language, curated by Mohammad-Ali Famori and Sadeq Majlesi, has opened on December 25 at Bavan Gallery in Tehran, Iran and will continue for eleven weeks until March 12. In this exhibition, 27 glitch artists from all around the globe, create works to identify the value of pixels, so they can force our minds to to reread the pixel language.... READ MORE...

Diana Policarpo solo exhibition: “Nets of Hyphae”

Redazione Digicult

Diana Policarpo’s exhibition Nets of Hyphae, curated by Stefanie Hessler draws speculative connections between ergot fungi networks and women’s health. Her newly commissioned video works, animation, textiles and soundscape create parallels between the fungus cycle, reproductive justice and the expertise of midwives, healers and peasants in precarity and resistance.... READ MORE...

The Body, Sculpture, Technology: Museum Brandhorst’s Symposium

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Museum Brandhorst presents Future Bodies from a Recent Past—Sculpture, Technology, and the Body since the 1950s , a large-scale research and exhibition project investigating the impact made by technological developments and changing notions of the body on the medium of sculpture.... READ MORE...

Fabio Perletta, l’artista-sciamano. La ritualità dell’arte.

In questo momento di forte perplessità intorno alla capacità di artisti e curatori di creare nuovi eventi che possano funzionare sulle piattaforme virtuali, coinvolgendo in modo attivo e diretto il pubblico, sono stata invitata a partecipare a …mai i propri … nell’ambito di BRUMA MMXX, una performance di Fabio Perletta – straordinario artista sonoro, curatore e docente di sound design – che è stata trasmessa in diretta streaming sulla piattaforma del progetto Aequusol. Articolo di Caterina Tomeo.... READ MORE...

Sara Tirelli and the VR Pavilion at 2020 Resilienze festival

Hera Immersive Area is a space within Resilienze 2020 festival dedicated to new technologies in relation to art and scientific research and aimed at exploring environmental issues through innovation. This interview focuses on the VR Pavilion, both because of the long-lasting acquaintance and the deep esteem towards Sara Tirelli and her artistic and research path that has been going on for a very long time in Italy and internationally.... READ MORE...

Katja Aufleger in the exhibition “Gone”

Redazione Digicult

The first solo exhibition in Switzerland by Katja Aufleger, on view until March 14, 2021 at the Museum Tinguely, brings together works from the past decade: breakable sculptures, hazardous chemicals and video works, with which the artist criticises institutions and questions power structures and systems.... READ MORE...

Para Site hosts two new exhibitions about AI

Redazione Digicult

Para Site is proud to present two new exhibitions dedicated to AI and virtual world: Glitch in the Matrix, a solo exhibition by Hong Kong-based artist Luke Ching Chin Wai, featuring newly commissioned works and re-enactments and adaptations of Ching’s earlier works, and Confidential Records: Overwrite, a solo exhibition by Hong Kong-based artist Vvzela Kook.... READ MORE...

The future, despite everything: Hito Steyerl at Düsseldorf’s K21

The cornerstone of the exhibition is SocialSim, a new multimedia installation developed especially for the occasion, which explores the potential of digital technologies, simulations and AI, in relation to social upheavals, artistic creativity and pandemic conditions too. The artwork includes a focus on collective hysteria and social network, examined in the social simulation Dancing Mania.... READ MORE...

Hito Steyerl in “I Will Survive”

Redazione Digicult

The exhibition Hito Steyerl. I Will Survive at K21 is the new multimedia installation with which Steyerl (b. 1966) critically explores the potentials of digitality, simulation, and artificial intelligence with regard to artistic creativity, modes of museum presentation, social upheavals, and pandemic conditions.... READ MORE...

Introduzione al libro “Intervista con la New Media Art”: Il fascino dell’incompleto

Redazione Digicult

Sorry, this entry is only available in Italian.... READ MORE...

“Palms Palms Palms”, everyday phenomena into a new reality

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Z33 presents Palms Palms Palms, the first major survey exhibition of London-based artists Revital Cohen and Tuur Van Balen. More than ten years of work come together in the new exhibition wing of the House for Contemporary Art, Design & Architecture in Hasselt (Belgium).... READ MORE...

From conceptual art to technological changes: the exhibition “The Sun Does not Move, Chapter 35 “

Redazione Digicult

The Sun Does not Move, Chapter 35 brings together a selection of paintings from the Book of paintings R.H. Quaytman (Boston, 1961) begun in 2001. This is the latest chapter of Quaytman’s "writing,", and it is presented in context with the first―The Sun (2001)―and O Tópico, Chapter 27 (2014)—specifically made for Instituto Inhotim, Brumadinho, Minas Gerais, Brazil.... READ MORE...

New projects, productions and participants at the 11th Seoul Mediacity Biennale

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The 11th Seoul Mediacity Biennale, One Escape at a Time, will be open to the public at the Seoul Museum of Art and other locations across the city. It will present works and projects—many of them new productions—by 41 Korean and international participants. It builds on ideas of escapism in relation to currents in today’s popular media.... READ MORE...

Jerwood Arts / FACT Fellows announced

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Jerwood Arts and FACT are delighted to announce the 3 creatives who will receive the Jerwood Arts / FACT Digital Fellowship, a new paid remote residency and artistic development opportunity.... READ MORE...

Immersive multi-media experiences with Zadie Xa

Redazione Digicult

This fall, Remai Modern presents a new body of work by Vancouver-born, London-based artist Zadie Xa. Moon Poetics 4 Courageous Earth Critters and Dangerous Day Dreamers opens October 24 in the museum’s Connect Gallery and marks the artist's first solo museum project in Canada. Zadie Xa combines sculpture, painting, light and sound to create immersive multi-media experiences.... READ MORE...