Cinema in the time of workflow. The digital revolution and film criticism’s Ancien Régime
In 2007, when I started my collaboration with Digicult and writing for Digimag, I discussed with its editor, Marco Mancuso, about what could be the areas of intersection between digital art and cinema. At the time I was still rather fresh from a university degree course in film studies that was largely, if not entirely, based on textbooks using a terminology that was light-years far from actual, hands-on film-making. Six years later cinema was fully digitalized, but the language of film criticism has remained virtually unchanged.... READ MORE...
