Lost your password?

Virtual Reality

Deep in the Forking Tanks

"Deep in the Forking Tanks", the new video that provides the title for this exhibition, has artist Heecheon Kim meeting with divers and venturing down deep into the water. For training, he used a flotation tank, also known as a “sensory deprivation tank,” that literally enables to cut off senses.... READ MORE...

“The Redaction Trilogy”: Kennedy Browne in Dublin

Hugh Lane Gallery presents "The Redaction Trilogy", the first solo museum exhibition in Ireland by the collaborative practice of Kennedy Browne (Gareth Kennedy and Sarah Browne). Their collaborative work poses timely and urgent questions around interactions between technology, ideology and politics in this context.... READ MORE...

Phantom Plane, Cyberpunk in the Year of the Future

Inspired by 2019 - the year that many iconic cyberpunk futures were set or scheduled to arrive (see Bladerunner, Akira, Running Man, The Island, and more…) - the exhibition "Phantom Plane, Cyberpunk in the Year of the Future" considers the hold that cyberpunk retains on our collective imagination.... READ MORE...

Screen City Biennial 2019: Ecologies – lost, found and continued

A growing attention to environmental thinking mirrors a global acknowledgement and urgency of the need to rethink the human place in the biosphere and how we are connected to the world. The Screen City Biennial 2019 sets out to present, facilitate and examine art and artistic, that raise questions of how human action affects the ecologies with which it is implicated.... READ MORE...

The Body Electric

In an age dominated by digital technology, the exhibition "The Body Electric" explores themes of the real and virtual, the organic and artificial, moving from the physical world to the screen and back again.... READ MORE...

Simone Arcagni: l’Occhio della Macchina

Teresa Ruffino intervista Simone Arcagni in merito alla sua ultima pubblicazione "L'occhio della macchina", un testo che analizza come si è formata la costruzione dello sguardo contemporaneo concentrandosi in particolare sui cambiamenti introdotti dalla rivoluzione digitale.... READ MORE...

Unexpected Growth by Tamiko Thiel at Whitney Museum of American Art

The Whitney Museum of American Art is currently presenting Programmed: Rules, Codes and Choreographies in Art, 1965 - 2018, an exhibition featuring 39 artworks, divided into two parts with several thematic groupings that define the curatorial premise for the seemingly diverse range of works presented. Co-organized by the Whitney's Adjunt Curator of Digital Art Christian Paul, and Carol Mancusi-Ungaro, the exhibition has been in development since 2016 and will be on view until April 14, 2019.... READ MORE...

“Broken Symmetries”: an exhibition challenging the notion of reality

Broken Symmetries is an international exhibition of ten new interdisciplinary artworks exploring the ways in which artists and scientists are working together to question the physical world. This major co-production is the latest outcome of the Collide International Residency award, and a partnership with Arts at CERN, FACT, Liverpool; CCCB, Barcelona; Le Lieu Unique, Nantes, and iMAL, Brussels.... READ MORE...

“Original Narratives”: The Art Gallery at SIGGRAPH 2018

Every summer, SIGGRAPH conference is held in a different city, to present the highest level of creative technology, and research on the latest techniques of interactive, animation, VR, gaming, and real-time graphics to a global network of practitioners/users, artists and scientists. Since 1981 an Art Gallery has been part of the official program. Kathy Rae Huffman tells us about this year exhibition in Vancouver.... READ MORE...

Archaeology of the Screen

The exhibition Archaeology of the Screen is an international development of the curator project The Archaeology of the Screen. The Estonian Example, which took place in the autumn of 2017 at the Bozar art center in Brussels. At the Kumu Art Museum in Tallin an international group of artists interpret from a new angle topics as digital security, relations between the screen and historical technology, and the criticism of visual culture.... READ MORE...

Philippe Parreno solo show as part of the programme Immersion

La mostra personale senza titolo di Philippe Parreno possiede diverse modalità di esistenza. Alcuni lavori del passato faranno di nuovo la loro comparsa, mentre molti di quelli che vengono presentati all'inizio non erano concepiti come delle opere d’arte. Quando queste si incontreranno al Gropius Bau di Berlino, quali nuove realtà potranno emergere?... READ MORE...

By continuing to use the site, you agree to the use of technical cookies. Read at our privacy policy cookies policy

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.

Close