Art

Open Peer-to-peer Design.massimo Menichinelli, Partecipated Future

Along with this interview with Massimo Menichinelli, my second collaboration phase with Digicult begins. After being interviewing the leading live media artists during the past years , I believe I fairly cleared my mind up on what is going on in that field , and I hope to have also supplied at least narrowly i nteresting readings, to those who bothered reading me.... READ MORE...

tracing mobility symposium

Joining forces with Nottingham Contemporary as part of their forthcoming Uneven Geographies exhibition, Tracing Mobility, the first of Radiator's three international symposia, examines the emergence of a new space, a space born out of the technology used to control and divide society.... READ MORE...

A Year Of Arts Santa Monica. An Interview To Vicenc Altaio’

The new Arts Santa M˜nica of 2010 in Barcelona began with new stimuli for creativity and discussion. Fresh with new mentalities, a new spirit and new aspirations, Arts Santa M˜nica, an old convent situated on the emblematic Rambla and just a stone's throw from the sea, now passes on to a new stage in its history, which is dedicated to interdisciplinary issues connected to art, science and communication.... READ MORE...

The Influencers 2010: Art, Action, Disobedience And Alchemy

Heroes? Not really, according to them. They do what we all could do, what we all should maybe do: to denounce, inform, express ourselves, find our spaces, make our voice being heard (especially when who should be representing us, does not actually do it at all) and yet defend freedom, enjoy ourselves, try to be fine and take charge of the consequences of our lifestyle over human kind and the environment. Without being afraid, without being submissive, get what is ours, in a creative way, in a cultuerd, artistic way.... READ MORE...

Absence/presence. (im)possible Images By Moira Ricci

The greeks often confronted death in a shy way. Whatever they had in front of them was in their past. That is how I have lived my life, not retracing my own life but the life of a person that I had loved. (1). This is how Roland Barthes describes in La camera chiara the moment of his mothers death, who, looking through the pictures of his mother throughout the years, tries to meet her again, to find her in some way. This is how Moira Ricci proceeded, she later confirmed that she had been inspired by Barthes, which is obvious in her most famous project called 20,12,53-10,08,04 (2) produced after her mother's sudden death.... READ MORE...