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Faith Holland Speculative Fetish

Our use of personal devices is inherently intimate: relations we establish with them also engender care. Transfer presents Speculative Fetish, the gallery’s second solo exhibition from Faith Holland addressing the way that technology functions as a metaphor for the body, both in the language we use and in the ways we behave.... READ MORE...

Once Upon an Algorithm: How Stories Explain Computing, by Martin Erwig

Martin Erwig is Professor of Computer Science in the School of Electrical Engineering and Computer Science at Oregon State University. In his recent text, “Once upon an Algorithm”, published for MIT Press, the author proposes an innovative and original approach for introducing computational thinking concepts to general public, while going beyond the strict technical domain.... READ MORE...

Drawn from a Score

Currently on view at Beall Center for Art + Technology, an exhibition that features artists whose works come directly from a written, visual or code-based score. From the event scores first developed by John Cage and Fluxus artists in the 1950s, to contemporary uses of code as a score for computational works.... READ MORE...

Digimag Journal 77 – Winter 2017. The Arts Ecosystem: deadline 16/12/2017

We cannot deny the vital role arts and creativity have to play within the energy and environmental field, especially in the current Anthropocene age, where the human impact on climate and nature is dominant and undisputed. What kind of artistic narratives are proven to be compelling and effective in raising ecological awareness? What is the challenge for arts and culture within this scenario? What are the main contributions to the media theories for the Anthropocene?... READ MORE...

Open Codes. Living in Digital Worlds

Today we live in a world of codes. The upcoming exhibition at ZKM - curated by Peter Weibel, Lívia Nolasco-Rózsás, Yasemin Keskintepe, Blanca Giménez, and Natalia Fuchs as external consultant – will give the opportunity to understand this world by collecting historical precursors of computer algorithms, artworks and scientific works.... READ MORE...

Ed Atkins: Old Food

For his exhibition at the Martin-Gropius-Bau Ed Atkins has created his largest installation to date: a new series of works that build upon the allegorical possibilities of his particular brand of video making. These new computer-generated videos are installed alognside a vast display of the Deutsche Oper Berlin's costume archive.... READ MORE...

Catharina van Eetvelde: Ilk

The Folkwang Museum in Essen is currently hosting an exhibition dedicated to the work of Catharina van Eetvelde, which has expanded the traditional method of drawing on paper to include the new possibilities created by digital technology, questioning the link between all things and living beings.... READ MORE...

Janez Janša®

What is in a name? How do you relate to the property, legal status, perception and representation of ourselves? What is an artwork and what is the boundary between life, institutions and companies? Co-produced by Moderna galerija (MG+MSUM) and Aksioma - Institute for Contemporary Art in Ljubljana, Janez Janša® presents a selection of works produced by the three artists over the last ten years.... READ MORE...

Sounds Like Her

Curated by Christine Eyene, Sounds Like Her explores and challenges existing approaches to sound art, questioning of its patriarchal and Eurocentric patterns. The exhibition represents new perspectives; re-framing how we experience the dynamic of sound as practiced by women from diverse cultures and gender identities.... READ MORE...