DigiMag

Sputink Observatory

Ideas are energy. Your brain is a satellite. Your mind is out there.' These are the basis of The Sputnik Observatory, an ambitious documentation project and representation of contemporary culture. Sputnik- literally 'fellow traveler'- was born from the idea that all the knowledge and arguments are in some way connected to each other, that the 'six degrees of separation', connecting all human beings on earth, are applicable also to their mental elaborations, and that also the most radical concepts, considered as marginal, are fertile matter of investigation and can contribute in a critical way to our cultural landscape.... READ MORE...

Fakepress. Ubiquitous Publishing And Distributed Storytelling

The scenario described by a timless flaneur as Baudelaire has been significantly modified during the last one hundred and fifty years, but the image of those mysteries that flow like saps in the mighty giant belongs to us. An information layer in multiple levels and distributed over the space, as well as objects, people and architecture, determines the possibility to change the world into a hybrid reality generated by a great variety of viewpoints, voices, shapes, gestures and sounds.... READ MORE...

Art, Activism, Subjectivity, Sabotage

Who said that books dealing with the proceeding of a congress are boring? First of all it depends on the congress and the speakers, secondly on the way the book is conceived. The reading of L'arte della sovversione. Multiversity: pratiche artistiche contemporanee e attivismo politico (The art of overthrow. Multiversity: artistic contemporary practices and political activism) edited by Marco Baravalle for 'Manifestolibri/Uninomade', once you get over the title -a bit over the top- it is very enjoyable because it is composed of many keen and necessary statements (not all of them of course) on a group of quite current issues, that though complicated, are fascinating for those who deal with cultural production in general, and with a political/social tone in particular.... READ MORE...

Hangar + Laboral = Summerlab

In this epoch, we are witnessing the rapid evolution of technology, which facilitates scientific research and improves our lives. But technology is also captured, manipulated and used for novel purposes in the arts. Experimental practice with technology in the arts is increasingly visible in exhibitions and museums around the world and on the Internet, while there is always a strong compulsion to create spaces where experimentation is possible. The objective of these centres is the public diffusion of this mix of disc'pines, to invite people to experiment, understand and express their creativity in unison with others and in this way to create culture.... READ MORE...

Derek Jarman’s Visual Painting

The incredibile influence of Derek Jarman's cinema is considered as an unavoidable background for every research on the new visual languages from the end of the '70s. His ability to survive and fall always on his feet in a vogue of indipendent cinematographers, outside the main channels of cinematographic production made him a kind of living god (Holy Derek). He is a survivor in a generation which spent all its energies and attention in the visual research and representation methods.... READ MORE...

Wodiczko’s Video Shadows Between Visible And Invisible

Despite all promises of more attention to figurative arts and above all to painting, the 53° Esposizione Internazionale d'Arte della Biennale di Venezia (International Art Exhibition in Venice) focuses again on video installations and expanded cinema, which does not necessary mean experimental. In most cases it is a revisit of the exposition space after the typical experience within the cinematographic field. The screen becomes a wall or a plasma TV and the installation assumes the features of a real projection in which all typical cinematographic devices are deconstructed - think only to the loop movement enphatized by Douglas Gordon or to the decomposition of film into monitors dispayed in a row (Chantal Akerman).... READ MORE...

Future Sounds Like Past Toys: Interview To Ape5 & Eraser

Ape5 is an old digimag acquaintance that we were pleased to 'meet' in various moments during the past few years so that he could tell us about his videomaking and his VJing (Interview 'Ape5 and Miki Ry', by Bertram Niessen, Digimag 02), as well as his research as a producer with the netlabel Vidaux, that contains many of the more interesting names of the live media scene in Italy ('Vidaux, Netlabels for watching and listening', by Bertram Niessen, Digimag 08... READ MORE...

The Art And The Epidemiological Criticism Of Gina Czarnecki

Gina Czarnecki is undoubtedly an conscious and sensitive artist, for the sensitive issues she courageously deals with, for her subjects, for her analysis and research methods she chose to elaborate, and for the aesthetic impact as well as the fascination of her work. This feeling is in her environmental and audiovisual work, and this feelings are even stronger when you have the chance to meet and talk to her... READ MORE...

Teatro A Corte 09. Art Without Borders

Summer time, Festival time. In this period of the year in Italy we witness an increasing and rising of close encounters with the theatre world. They can be more or less historical but these encounters are always meaningful and relevant. A new and modern Festival, which invested a lot in the contemporary art is the extraordinary 'Teatro A Corte' (Court Theatre), this year at its third edition. This festival is well known and qualified from all points of view and has always put the integration of arts and the enhancement of territory in the center of its activity... READ MORE...

Persepolis 2.0: Creative Support To Iran

I decided therefore to use Digicult as spokeman and create a short-circuit between some artistic and creative news and an important political event, i.e. the crisis in Iran. I wanted to make Digicult a small instrument of support, anyway without changing its roots and its cultural and editorial aim. Moreover I discovered the project Persepolis 2.0: it is a re-editing project by the graphic novel Persepolis created by the Iranian Marjane Satrapi which has had a lot of international success and offers a geographic and editorial comparison between the Iranian Revolution of 1979 (which is part of the original history) and what is happening nowadays in the Country. For this reason I decided first of all to support the project as requested, i.e. copying the Html code of the graphic tables on Digicult's homepage (all readers are kindly requested to do the same) and secondly to widespread it through Facebook. Last but not least I tried to get an interview for this edition of Digimag. It is an interview made in 24 hours, just before the publication of the newspaper, but it honours us and we hope it can be another small anchor to help the struggling Iranian people... READ MORE...

I-realize: Analyze This For A Better Future

Two days to notice unsolved problems, introduce (technological?) solutions and stimulate the creation of new disruptive start-ups in different areas of work. The event-conference I Realize - The Art of Disruption has been presented on its own website and was held on June 9-10 in the fantastic studios Virtuality Media Park in Turin. The stimulating the birth of start-up events in two days is definitely an ambitious goal. And by all appearances the goal was achieved.... READ MORE...

Vlogging, Networked Cinematic Poetics

Hegemonic systems of mainstream culture depict the World Wide Web as host to a number of large, central (but none-the-less global) sites controlled by a few corporate bodies. The names are ubiquitous for anyone trying to explore the modern media world: Facebook, Vimeo, Twitter, YouTube, and others that have either fallen by the wayside or are just bobbing below the surface of our awareness. These platforms all have their place of course, and most of us are making use of them.... READ MORE...

Ephemeral Physicality: Quantum Particles And Digital Art

Just as a quantum particle has both a virtual and a physical dimension, so does a work of digital art, which exists as both invisible code and visual display. The dual nature of matter in quantum mechanics is mirrored by the dual nature of a work of digital art. Just as a photon is both a particle and a wave, a work of digital art is both a set of instructions and the execution of those instructions. Digital art, software art, or any work of art that utilizes media as its medium- is both a set of structural relations (a system of process) and a set of discrete objects in space. This is conceptual dualism rather than physical dualism. But how does one make sense of diametriclly opposite models of the same thing without suffering a bit of cognitive dissonance? Neil's Bohr, one of the father's of quantum mechanics, points the way out: embrace the paradox... READ MORE...

Pirates At The Parliament: The Big Dream?!

In just 24 months we have witnessed an amazing increase in consensus toward our ideals across the globe. Renowned worldwide for being one of the most defiant and cheeky online centres for Peer to Peer and exchange of audio and video files, fresh from their success in the European Elections which took one of their representatives flying from the meshes of the Net straight into a political seat in Brussels, the board of Pirate Party International, the political branch of The Pirate Bay project, is euphoric.... READ MORE...