Photography

From conceptual art to technological changes: the exhibition “The Sun Does not Move, Chapter 35 “

The Sun Does not Move, Chapter 35 brings together a selection of paintings from the Book of paintings R.H. Quaytman (Boston, 1961) begun in 2001. This is the latest chapter of Quaytman’s "writing,", and it is presented in context with the first―The Sun (2001)―and O Tópico, Chapter 27 (2014)—specifically made for Instituto Inhotim, Brumadinho, Minas Gerais, Brazil.... READ MORE...

L’installazione “Io sono Madeleine” dal Master in Visual Arts for the Digital Age

Giorgia Risso con l’installazione e la performance Io sono Madeleine - esperienze vissute (2018), ricostruisce la storia della bisnonna ricomponendo i pochi ricordi infantili che le rimangono con alcune tracce della vita della donna ritrovate di recente: una serie di vecchie fotografie, i diari delle dediche della sua gioventù, alcuni oggetti a lei cari.... READ MORE...

Photography to the test of abstraction

For the fourth edition of the Normandy Impressionist Festival, the Fonds Régional d’Art Contemporain (Frac) Normandie Rouen, in conjunction with the Centre Photographique d’Île-de-France (CPIF) and the Micro Onde — Centre d’Art de l’Onde, is organising a programme of three joint exhibitions devoted to the question of abstraction in the field of contemporary photography. ... READ MORE...

“Artists & Agents”, the interaction between secret services and performance art

HMKV‘s exhibition "Artists & Agents - Performance Art and Secret Services" has been closed since Monday, 16 March 2020 due to the Corona pandemic. The exhibition has duely closed on 19 April 2020. To cover the time until the reopening of the HMKV with the next ehxhibition on 02 June, HMKV is making this exhibition accessible for you at Artists & Agents Online.... READ MORE...

Graham Fink’s solo exhibition: images within a random or ambiguous visual pattern

VVA VirginiaVisualArts, a platform for contemporary art in Central London, will exhibit new monotype and relief works by multimedia artist Graham Fink. In Transition marks a new direction for the artist – who is working for the first time with monotype printing in order to further explore the concepts of pareidolia within the context of creative and dream processes.... READ MORE...

“Dark Matter”: the use of black

The exhibition "Dark Matter" brings together individual works from a variety of contemporary artists, ranging from photography, collage, and painting to sculpture, all of which make use of the color black and its diverse contexts of meaning to convey many-faceted connotations.... READ MORE...

“Objects and Sounds”. Le immagini come tentativo di rappresentare i suoni stessi

Nel cuore del quartiere San Lorenzo di Roma, si trova il Pastificio Cerere che costituisce un importante spazio di sperimentazione per la capitale. Negli anni Settanta il Pastifico Cerere è stato trasformato da spazio industriale – fabbrica di farina e di pane che riforniva la capitale – a luogo deputato all’arte con un unico obiettivo: condividere l’ideologia del fare e dell’operare come terreno culturale nel quale discutere e incontrarsi ogni giorno. Report di Caterina Tomeo... READ MORE...

The Assembled Human

With "The Assembled Human" the Museum Folkwang focuses on the manifold entanglements between human being and machine: the exhibition presents art as a mirror of industrialisation, technologisation and digitisation.... READ MORE...