Mario Margani

La fabbrica è esplosa: evviva la fabbrica. Intervista con Fabrizio Bellomo

Fabrizio Bellomo porta avanti da alcuni anni la ricerca sulle interconnessioni tra strumenti, rappresentazioni e retoriche del lavoro. Con FILM, presentato nel 2020 con il debutto a novembre al Torino Film Festival (che si è svolto interamente online) nella sezione ITALIANA.DOC, affronta la rielaborazione di proprie esperienze e ricerche sviluppate tra l’Italia, la Serbia, l’Albania e la Germania, paesi nei quali Bellomo ha prodotto interventi e realizzato mostre negli ultimi anni. Il cortocircuito, illuminate e talvolta ironico, tra vecchi e nuovi paradigmi visivi e sociali nella relazione tra essere umano e macchina mette in risalto il continuo ritorno e rinnovamento di dinamiche di smaterializzazione del lavoro, managerializzazione dell’esistenza umana, appiattimento, omogeneizzazione culturale e (auto)sfruttamento.... READ MORE...

Make Data Small Again. Intervista con Gianluca Monaco

Partendo dal suo background in graphic design e comunicazione visiva, il lavoro di Gianluca Monaco si è sviluppato sempre più nella sfera del digitale, tra interaction design e front-end development. Nel 2018 l'artista ha partecipato alla mostra New Imaginaries for Crypto Design, metaphors and new images of the Deep Web al NeMe Arts Center di Limassol (Cipro). L’intervista è nata come scambio d’idee e considerazioni.... READ MORE...

On memory, precarity and visual methods to undermine distance. Interview with Yara Haskiel – part 2

Following some considerations on one of her two most recent long video works, Tsakalos Blues, video artist Hara Haskiel and our author Mario Margani continue their conversation dwelling on the artist's latest work: I don't write diaries I & II. In this second part they deal with technical question as the relationship between the image and the observer, audience involvement and precarity.... READ MORE...

Choy Ka Fai: body, memory, speculations

Choy Ka Fai is a Singapore artist, famous for its performances and installations in which the movements of the dancer are stimulated and recorded using technological means, and exchanged with those of the other performers. Therefore, the body becomes a base on which to experiment and make visible the digital and its most hidden sphere... READ MORE...

afterglow: 27th transmediale, a nonlinear report

Commissioned works, performances, conferences, talks, and an Internet black market have spiced up afterglow, the 27th transmediale that has taken place between 29.01 and 02.02 as usual at Haus der Kulturen der Welt in Berlin. Under the multiple meanings of the afterglow, and slogans such as “How do you feel today?” “Feel Healthy, Feel Fit”, the debate has rotated around the different approaches towards e-waste, cloud computing, surveillance, mining, big data, and whistle-blowers.... READ MORE...

The Sacred and the Profane. An interview with Christopher Kline

Christopher Kline (1982, Kinderhook NY) is a syncretic artist who prefers to be called maker and whose projects range over a wide variety of artistic fields and media. In collective and solo projects such as Snakebraid, Wooden Veil, Night Music and Gemeine Gesteine Kline has dealt with research in the field of ritual music, sacred culture, and primitivism focusing on their abstraction and re-contextualization in happenings and exhibitions. Outside of his interest in experimental music, in 2010 he started with the alias Hush Hush a pop music project placed outside of the art world to become an actual commercial product.... READ MORE...

Cia Rinne. Notes for listeners

Cia Rinne (1973, Gothenburg) is a writer, poet and artist with an uncommon natural inclination towards languages. Born in Sweden from a Finnish family and raised in Germany, she holds a MA degree in Philosophy and has studied in Frankfurt/Main, Athens and Helsinki. Experiencing the continued switch between many languages and places helped her to raise awareness about the political and cultural implications lying down subtle gaps and shift of meanings.... READ MORE...