Science

Athanasius Kircher. Arca Musarithmica And Many Sound Devices

Researching possible origins and theoretical roots of Sound Sculpture and Sound Art it isn't rare to get to face the oeuvre of Jesuit priest Athanasius Kircher, an intriguing character who has been a point of reference for the work of many artists. We will here attempt to get closer to his poetics and understand which are the elements in his research that foremost might have influenced aforementioned fields.... READ MORE...

Chora Platonica And Digital Matrix

As can be seen in Plato's Timaeus, space plays a significant role in cosmology. Alongside Models/Ideals and their imitations, Plato uses Χώρα (Chôra), that is, an invisible and formless receptacle... of all becoming' where Forms are materialised, in a sense close to space (1). Despite the hermeneutic difficulties in fully defining it, Chora has set the foundations of the concept of spatiality, place and placing, while the influence of Plato's cosmology is evident even in contemporary science.... READ MORE...

Tez: Anharmonium

Anharmonium is an immersive installation, investigating the spatial awareness of subtle fluctuations that emerge from vibrational phenomena. The interference patterns within a sonically activated fluid illuminated by laser emissions forge an augmented meditative space, a psycho-physical observatory.... READ MORE...
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thomas mcintosh: ondulation

Presented as a "temporal sculpture," Ondulation (2002) in those days exhibited at Digital Life Exhibition in Rome, a composition for water, sound and light, was created by Thomas McIntosh in collaboration with composer and friend Emmanuel Madan (the pair go by the pseudonym [The User]) (2) and Mikko Hynnimen, a sound designer, lighting specialist, scenic artist and composer based in Helsinki, Finland.... READ MORE...

Mechatronic Art And Diy. Marc Dusseiller: The Artistic Soldering

There are practices in the use of artistic and creative technology that can be compared to a sort of undergrowth because rich in rare and unexplored things. In the shadow of spheres and consolidated languages, characterized by codes and aesthetics, almost all supported by theories both by the public and by the market. These practices are hard to interpret through the framework of digital art because they are generated by s remix of ideas and subjects, that, on one hand have to do with the history of experimentation of electronics in the artistic field and on the other hand they regard the hacker culture, electronic art and technological design.... READ MORE...

Open Observatory Challenge. Roger Malina And The New Leonardos

Data transparency, free movement of ideas, a fruitful collaboration between art, science and technology, but also among ordinary people and experts, this is exactly what Roger Malina is about. Recently hosted by Meet The Media Guru, an event held in Milan. At the Director of Astrophysics Observatory in Marseille, where he is a member of the Observational Cosmology Research Group, Roger Malina is chief editor of the newspaper Leonardo of the Massachusetts Institute of Technology (MIT), and promoter of a series of interdisciplinary convergence projects, of which we will talk about later.... READ MORE...

A Year Of Arts Santa Monica. An Interview To Vicenc Altaio’

The new Arts Santa M˜nica of 2010 in Barcelona began with new stimuli for creativity and discussion. Fresh with new mentalities, a new spirit and new aspirations, Arts Santa M˜nica, an old convent situated on the emblematic Rambla and just a stone's throw from the sea, now passes on to a new stage in its history, which is dedicated to interdisciplinary issues connected to art, science and communication.... READ MORE...

Synthetic Aesthetics. Life Design

It is too late to apply for the bursary in Synthetic Aesthetics: the deadline for submitting the applying form was set on the 31st March 2010. The call for bid was addressed to 6 artists/designers and 6 scientists/engineers who wanted to take part to the exchange project in Synthetic Biology, design and aesthetics. Anyway, this is also an opportunity to expand on the topic of synthetic aesthetics, which is directly linked to synthetic biology,a theme which Digicult has already coped with, although briefly, in the past.... READ MORE...

tomas saraceno

Bonniers Konsthall is proud to present the first major presentation of the renowned artist Tomás Saraceno's work in Europe. Specifically for the exhibition at Bonniers Konsthall Saraceno has enlisted the aid of spider researchers, astrophysicists, architects and engineers to create an enormous model – the first in its kind – of the web of the poisonous Black Widow spider. This new installation, 14 Billions (Working Title), will be shown together with 15 of Saraceno's earlier works.... READ MORE...

Tortuous Visions Of Lu Yang. The Bioart In China

New media art in greater China, when it is present, tends toward the conservative: re-engineered video games, simplistically interactive video installations, and sound art are the norm. In a few corners, however, a new wave of artists is pushing this envelope and developing new strains of practice based particularly around the complementary poles of aesthetic coding and, most intriguingly, biological matter.... READ MORE...

Body, Cyborg, Robot In Lugano. Interaction Between Mechanical & Organic

Primary and basic technology become works of art capable of playing with our passion for machinary and technology, a form of "pain" that we feel with and through our bodies. Simplicity is at the heart of Macchina Inutile (Useless Machine), an almost inconsistent assembly of delicate stems and coloured metal pieces built on to a spinning structure that slowly speeds down... READ MORE...