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pneumOS, di Oriana Persico: il “respiro dei dati” diventa arte a Expo Osaka

Redazione Digicult
Un organo cibernetico che trasforma i dati sulla qualità dell’aria in comportamenti espressivi, generando una “Grammatica del respiro” fatta di movimento e suono: pneumOS è l’opera d’arte interattiva e datapoietica di Oriana Persico, scelta per il Padiglione Italia all’Expo 2025 Osaka, in dialogo con l’Atlante Farnese e i capolavori di Leonardo, Caravaggio e Tintoretto.... READ MORE...
ActivismNews

The digital violence of cyber-weapons in the exhibition “Terror Contagion”

Redazione Digicult
The Musée d’art contemporain de Montréal (MAC) launches Terror Contagion, by Forensic Architecture with Laura Poitras, an immersive installation that pulls visitors into a graphic, three-dimensional representation of the sprawling connections, patterns and consequences of acts of digital violence documented through the investigations of the research agency Forensic Architecture.... READ MORE...
NewsWeb

Performing the Archive of Future Gestures. Interview with Julien Prévieux

Claudia D'Alonzo
Julien Prévieux is a multidisciplinary artist that for years has investigated the relationship between technologies and the human, employing diverse formats and languages. Many of his works escape specific language and discipline categories. They are open processes, social experiments on what the artist defines as "crisis wrecks", iconic residues of financial scandals, legal cases, traces of symbolic structures or visual codes produced by economic and political systems.... READ MORE...
ArtArticlesDigimag – Issue 87, 3rd Quarter 2020

Between Creative Coding and Society. Interview with Fabian van Sluijs

Costanza Tagliaferri
Creative Coding Utrecht (CCU) is an interdisciplinary and open community of musicians, designers, programmers and visual artists investigating the influence of technologies on our daily life through a playful and explorative approach. In this interview by Costanza Tagliaferri, Fabian van Sluijs, one of the founders of CCU, talks about the creative community in Utrecht, CCU’s activities and the impact of how creative coding can put new perspectives on the impact of technology on society.... READ MORE...
Digimag – Issue 82, 1st Quarter 2019NewsScience

Digital Stretch Marks: Bodies, Genders and Technologies

Anna Gorchakovskaya
Digital Stretch Marks is a book curated by Carlotta Cossutta, Valentina Greco, Arianna Mainardi and Stefania Voli, which has been published in 2018 by Agenzia X, a publishing house from Milan. The book consists of a series of essays, all of which address various aspects of technologies, from different points of view, using instruments from different disciplines.... READ MORE...
ArticlesBooksDigimag – Issue 81, 3rd Quarter 2018

Computer Grrrls

Redazione Digicult
Computer Grrrls deals with the complex link between women and technology from the first human computers to the current revival of technofeminist movements. An illustrated timeline with over 200 entries covers these developments from the 18th century to the present. Invited are artists, hackers, makers and researchers who are working on how to think differently about technology: by questioning the gender bias in big data and Artificial Intelligence, promoting an open and diversified Internet, and designing utopian technologies.... READ MORE...
NewsWeb

SIMPOSIO #5: Delay or Die

Redazione Digicult
On Saturday, May 26 th NONE collective organizes the fifth and the last date of Simposio: a meeting, performance and installation program that investigates the man-machine relation within the contemporary society. It was conceived to trigger a network, a public debate and a reflection on the digital contemporaneity and its implications on a perceptive, cognitive, social, and economic level.... READ MORE...
Art

SIMPOSIO #4: A relation network

Redazione Digicult
On Thursday, April 19 th NONE collective organizes the fourth date of Simposio: a meeting, performance and installation program that investigates the man-machine relation within the contemporary society. It was conceived to trigger a network, a public debate and a reflection on the digital contemporaneity and its implications on a perceptive, cognitive, social, and economic level.... READ MORE...
Art