Articles

Dialogues on “Bioart” #1. A conversation with Jens Hauser

In the series Dialogues on “Bioart”, I will speak about these and other issues with curators, artists, cultural workers and other professionals who deal with "Bioart" in different ways and have been working in this field for a number of years. Through these interviews, I not only want to present them and their work, but also to shed light on their various viewpoints on, and relevant experiences with, the issues being addressed in the so-called "Bioart", in order to bring all this into line with the larger context of the analysis of what "Bioart" as well as the connected issues and questions, actually are... READ MORE...

The “FRACTY” platform. The Project

Currently, a growing number of professionals in the creative industries perceives the net as the main tool to raise awareness of their work and start collaborative projects. Even though the online presence of artists, designers and professionals of contemporary culture can be considered a showcase to enter the business world and its commissions, this is a first step, which has still to be directed towards business models that lead to the contact between supply and offer.... READ MORE...

Mapping the electomagnetism. Detektors by Martin Howse and Shintaro Miyazaki

Detektors is an open and collaborative project which consists in devices capable of recording hidden electromagnetic emissions produced by common electronic tools such as mobile phones, laptops, cameras etc. In addition, Detektors can also capture the high frequency bands: modulation of WiFi, Bluetooth, GSM, UMTS and GPS networks, as well as any other transmission system between 100 Mhz and 5Ghz.... READ MORE...

The Islands of Benoît Mandelbrot. Fractals, Chaos, and the Materiality of Thinking

Focusing primarily on the work of Benoît Mandelbrot (1924–2010), one of the most notable mathematicians of the twentieth century, this exhibition explores the role of images in scientific thinking. With their capacity to generate and shape knowledge, images are at the very core of scientific investigation: charts, graphs, notebooks, instrument readings, technological representations, even mental abstractions--all make up the essential stuff of which it is made.... READ MORE...

William Kentridge: I am not me, the horse is not mine. The Tank / Tate Modern

William Kentridge’s eight-channel video installation I am not me, the horse is not mine will be showcased in the UK for the first time in the Tanks at Tate Modern. Projected simultaneously across the walls of the Tank, each film is played on a continuous loop to create an immersive audio-visual environment, which resists the establishment of a single narrative. Each short film contributes layers to a story that references Russian modernism, from Soviet film of the 1920s and 1930s to the calamitous end of the Russian avant-garde.... READ MORE...

The Sacred and the Profane. An interview with Christopher Kline

Christopher Kline (1982, Kinderhook NY) is a syncretic artist who prefers to be called maker and whose projects range over a wide variety of artistic fields and media. In collective and solo projects such as Snakebraid, Wooden Veil, Night Music and Gemeine Gesteine Kline has dealt with research in the field of ritual music, sacred culture, and primitivism focusing on their abstraction and re-contextualization in happenings and exhibitions. Outside of his interest in experimental music, in 2010 he started with the alias Hush Hush a pop music project placed outside of the art world to become an actual commercial product.... READ MORE...

Raquel Meyers and the Teletext transmission

Raquel Meyers (Cartagena, 1977) works with low-res graphics and photography for performance, web, video and installations. Currently she's experimenting with storytelling and text mode visuals (ASCII, PETSCII, etc) together with the musician Goto80. In September this year Raquel Meyers participated in Teletext festival ARD in Berlin.... READ MORE...