Paolo Cirio created a database with 4000 faces of French police officers to crowdsource their identification with Facial Recognition technology and through the ... READ MORE...
So many stars have fallen,
Pieces the planetary system are shattered,
Because my body is so torn apart
E. de Martino, Il mondo magico, Boringhieri, 19... READ MORE...
Ludwig Museum – Museum of Contemporary Art in Budapest, in accordance with its openness to new approaches in art and interdisciplinarity, is awaiting its visito... READ MORE...
Coming back this Fall, ELEKTRA presents METAMORPHOSIS, a prelude exhibition to the 5th edition of the International Digital Art Biennial, postponed to 2021.... READ MORE...
The European ARTificial Intelligence Lab is now offering artists who are working with artificial intelligence or experimenting with its applications the chance to complete a residency at the SETI (Search for Extraterrestrial Intelligence) Institute in Mountain View, California, and the Ars Electronica Futurelab in Linz.... READ MORE...
Dopo il visual live di Robert Henke (27 settembre, Auditorium Parco della Musica – Sala Sinopoli), la trentacinquesima edizione del Romaeuropa Festival prosegue nel segno della ricognizione delle espressioni artistiche nell’ambito delle culture digitali:... READ MORE...
Cambio (from the medieval Latin cambium, 'change, exchange') is an ongoing investigation conducted by Formafantasma into the extraction, production and distribu... READ MORE...
"Transient", an audiovisual concert for two motorised pianos and two conductors in collaboration with generative algorithms, aiming at rethinking the traditional artistic techniques in the context of human-machine relationship.... READ MORE...
Giorgia Risso con l’installazione e la performance Io sono Madeleine - esperienze vissute (2018), ricostruisce la storia della bisnonna ricomponendo i pochi ricordi infantili che le rimangono con alcune tracce della vita della donna ritrovate di recente: una serie di vecchie fotografie, i diari delle dediche della sua gioventù, alcuni oggetti a lei cari.... READ MORE...
UCCA Center for Contemporary Art presents Immaterial/Re-material: A Brief History of Computing Art, a wide-ranging overview of the evolution of computing art from the 1960s to the present, exploring topics that span from machine-learning aesthetics to digital objecthood and technological discontent.... READ MORE...
XL | Chapter II
Third event of INBTWN - In Between programme
Curated by Claudia D’Alonzo
Julien Prévieux
What Shall We Do Next? (Sequence #2) (2014/2020... READ MORE...
REVERSO is a call to look at what is happening now in art from the underside which, until recently just peeking through, is now becoming increasingly visible, f... READ MORE...
From the first mechanical devices of ancient Greece to the new frontiers of Artificial Intelligence, man has always been attracted to the idea of creating an ar... READ MORE...
For the fourth edition of the Normandy Impressionist Festival, the Fonds Régional d’Art Contemporain (Frac) Normandie Rouen, in conjunction with the Centre Photographique d’Île-de-France (CPIF) and the Micro Onde — Centre d’Art de l’Onde, is organising a programme of three joint exhibitions devoted to the question of abstraction in the field of contemporary photography. ... READ MORE...
For his exhibition The Blow-Up Regime at the Berlinische Galerie, Marc Bauer delved into the history of the Internet. He sketches the portrait of a society undergoing transformation as a result of digitalisation and accelerating technological progress.... READ MORE...
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