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Producing Futures: An Exhibition on Post-Cyber-Feminisms

Redazione Digicult
In the group show Producing Futures—An Exhibition on Post-Cyber-Feminisms, the Migros Museum für Gegenwartskunst surveys the causes championed by feminists in the post-internet era. Our virtual and real lives are almost inextricably interwoven today. Yet contrary to the heady proclamations of the cyber-feminists of the 1990s, cyberspace has not evolved into a realm of unclouded liberation and self-empowerment.... READ MORE...
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Pröspect: A Bot* that reassembles images from the McCord Museum’s Photography Collection

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Pröspect, is another step in Isabelle Gagné’s work as a geologist-artist of digital images, as she ques­tions our relation to online historical archives. As various institutions – museums, libraries, etc. – are increasingly making their archives available online to make them more accessible, the “general” catalogue of online images is constantly growing.... READ MORE...
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Hate Speech: Aggression and Intimacy

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Against the backdrop of current social developments, the Künstlerhaus, Halle für Kunst & Medien (KM–), is focusing on freedom of speech, its use and its abuse. Hate Speech: Aggression and Intimacy presents international positions in contemporary art that address forms of ever more aggressive communication and the effects of social and traditional media.... READ MORE...
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snap+share: transmitting photographs from mail art to social networks

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Technology has escalated—and accelerated—the creation, distribution and consumption of photographic imagery, and as a result, millions of images are now sent across the Internet each day. On view at the San Francisco Museum of Modern Art (SFMOMA) snap+share: transmitting photographs from mail art to social networks will explore the outward gesture of sharing pictures, instead of the more traditional, inward act of taking photographs, throughout the history of the medium.... READ MORE...
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Refiguring the Future

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Eyebeam announces Refiguring the Future, a new exhibition and conference offering a politically engaged and inclusive vision of the intersection of art, science, and technology. Curated by REFRESH collective members Heather Dewey-Hagborg and Dorothy R. Santos, the exhibition title is inspired by artist Morehshin Allahyari’s work defining a concept of “refiguring” as a feminist, de-colonial, and activist practice.... READ MORE...
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