After the first experiment in January, NONE collective organizes the second date of Simposio: a meeting, performance and installation program, investigating the... READ MORE...
Simposio is a meeting, performance and installation program, investigating the man-machine relation within the contemporary society. It was conceived to trigger... READ MORE...
Simposio è un programma di incontri, performance e installazioni che indaga il rapporto tra uomo e macchina nella società contemporanea. Simposio è a cura di NONE collective e si svolge a partire da Gennaio 2018 fino a Giugno 2018, con un incontro al mese e con ospiti di varia estrazione e provenienza.... READ MORE...
What do algorithms and digital objects have to do with architecture? At what grounds is the digital affecting our surrounding and our approach to designing it? By examining the crucial concepts in their anthropomorphic form, Selena Savić will shed light on the agency of computational, logical and technical algorithms when it comes to reconfiguring our relationship with built space.... READ MORE...
What do algorithms and digital objects have to do with architecture? At what grounds is the digital affecting our surrounding and our approach to designing it? By examining the crucial concepts in their anthropomorphic form, Selena Savić will try to shed light on the action of computational, logical and technical algorithms when it comes to reconfiguring our relationship with built space.... READ MORE...
The Handbook of Visual Culture is now available in paperback format, edited by Bloomsbury Publishing. It includes several contributions by scholars and professionals challenging the vitality and complexity of visual culture research with a cross-disciplinary approach and a special interest in cyber and digital culture.... READ MORE...
The Ethics of Invention, the latest essay by Sheila Jasanoff, Harvard lecturer and leading scholar in the field of social studies on science and technology, represents a change of perspective on the role of technology in society, inviting us to reflect in a more concrete and multifaceted way on the implications and problems caused today by technological innovation.... READ MORE...
For this year's Hacklab, CTM Festival for Adveturous Music and Art (Berlin) invites coders and technologists but also people from across artistic and research backgrounds, from musicians to poets to psychologists, to submit music project ideas on the potential and worries about the growing role of AI and Machine Learning in arts and music. Apply until 30/11/2017... READ MORE...
Today we live in a world of codes. The upcoming exhibition at ZKM - curated by Peter Weibel, Lívia Nolasco-Rózsás, Yasemin Keskintepe, Blanca Giménez, and Natalia Fuchs as external consultant – will give the opportunity to understand this world by collecting historical precursors of computer algorithms, artworks and scientific works.... READ MORE...
NOME gallery presents Nora Al-Badri’s and Nikolai Nelles’ first solo exhibition. The artists show their most recent projects addressing the production and commodification of global heritage and cultural goods and questioning the hierarchy of knowledge and the role of Western science and institutions.... READ MORE...
For its new edition revolved around the theme of Hybrid Languages, FAD, Digital Art Biennial in Rio de Janeiro and Belo Horizonte, invites artists and critics from all over the world to submit hybrid works where the digital and the analog, the natural and the artificial, the real and the virtual cross and create immersive experiences for the visitors. Deadline: 17/09/2017... READ MORE...
Along with the opening of the last cycle of Non-compliant Futures Maria Roszkowska took part to the 13th edition of Mapping Festival in Geneva with the first solo show by Disnovation.org, the art collective initiated with Nicolas Maigret that is working at the boundaries between art, hacking and research.... READ MORE...
Machine Learning and Artificial Intelligence are going much further the technology or science fields, impacting arts, product design, experimental fashion and creativity in general. We’re lead to explore the way these techniques can be used to enhance human performative gestures and creativity models. The International Call for Papers for the new Digimag Journal... READ MORE...
The exhibition "Hybrid Layers" focuses attention on a generation of artists who are engaging with the growing presence of the digital sphere and its effects on society. New perspectives on digital technologies, the Internet and social networks are shown, probing both virtual and physical manifestations of an artistic practice that is fundamentally influenced by the digital realm.... READ MORE...
ELEKTRA continues its AUTOMATA trilogy in 2017 and 2018, this time with the theme THE BIG DATA SPECTACLE. The first edition of AUTOMATA explored the creative capacity of machines (for a possible audience of machines), while the 2017 edition looks at the promises kept by major advances in fields of artificial intelligence, particularly machine learning, data mining and human-machine hybrids, notably in art.... READ MORE...
In October at the Tate Liverpool will be presented the new project by Cécile B. Evans. A multidimensional work that analyzes robotics, artificial intelligence and the possibilities of collaboration between humans and machines, examining the increasing influence that new technologies have on how people feel and act.... READ MORE...
Human Factor - Endless Prototyping is the fifth exhibition by Ars Electronica Linz presented at the DRIVE Volkswagen Group Forum in Berlin. On show artworks that focus on the major challenges related to the digital age and, by building artificial alternatives, reflect about the human presence in an increasingly engineered environment... READ MORE...
In June returns BIAN, the digital art biennial based in Montreal. AUTOMATA is the theme of this year and thanks to the presence of international artists, they will discuss about: what are the limits of the machines, how far the inhumane can replace the human and if it's possible create an art made by machines for machines?... READ MORE...