News

Alfredo Jaar: A Logo for America

Reproduced widely around the world, Alfredo Jaar’s iconic public intervention A Logo for America has become one of the artists best known works. Programa de Arte Contemporáneo en Torre Colpatria de Bogotá and Babel Media Art just announced its first presentation in Colombia, designed for one of the tallest buildings and an icon in Bogotá.... READ MORE...

The Glass Room

Ongoing in London a pop-up exhibition which - through artworks, speculative projects, interactive videos, animations and activist projects, puts big data on display to make them more tanglible and less abstract, helping the public to make informed choices about their digital self. The show is curated by Tactical Technology Collective and presented by Mozilla.... READ MORE...

Pipilotti Rist: Sip my Ocean

The Museum of Contemporary Art Australia presents a major new exhibition by pioneering Swiss artist Pipilotti Rist, exclusively in Sydney as part of the Sydney International Art Series. Incorporating video and sculpture, Rist's dazzling environments immerse visitors in colourful projections that explore the relationships between nature, body and technology.... READ MORE...

Are we human? The Design of the Species: 2 seconds, 2 days, 2 years, 200 years, 200,000 years

Princeton University School of Architecture announces the opening of the exhibition Are we human? A galaxy of designers, architects, artists, theorists, filmmakers, historians, scientists, labs, centers, institutes, and NGOs responding to Are we human?, the polemical curatorial manifesto of Beatriz Colomina and Mark Wigley in a new kind of conversation about design.... READ MORE...

After the End of the World

After the End of the World is an exhibition about the Earth of 2017 irreversibly transformed into the Anthropocene planet after two centuries of human impact on natural systems in which artists, philosophers, novelists, sea creatures, playwrights, plants, architects, objects, speculative designers and scientists have worked together to imagine situations, to tell stories and to devise strategies for survival and peaceful cohabitation in the world to come.... READ MORE...

Seth Price – Social Synthetic

At the Museum Brandhorst the first international survey exhibition of the American artist Seth Price: over 100 works making use of the production and marketing dynamic of music, fashion and literary industry to deal with the fundamental changes that have taken place within visual culture that have gone hand in hand with the ubiquitous rise of digital media.... READ MORE...

Heimo Zobernig: chess painting

Heimo Zobernig’s practice is framed by the impact Modernism has had on the trajectory of art history. A new exhibition spans the MIT List Visual Art Center’s main galleries by using their architecture as a stage and allowing a viewer to confront the constructed experience of visiting an art exhibition.... READ MORE...

CC LAB. Virtual Reality

While VR technology has inspired game developers for years, artists and storytellers have only just begun to explore the possibilities that it offers. The new exhibition at Copenhagen CC introduces a range of Danish and international artists who experiment with VR in order to push boundaries and open up new spaces for art to inhabit.... READ MORE...

Tomás Saraceno: Entangled Orbits

The Baltimore Museum of Art has commissioned a major new work by internationally acclaimed artist Tomás Saraceno for an exhibition that has transformed the visitor experience of the museum. Entangled Orbits brings together a group of highly complex and fascinating installations drawing inspiration from structures of the natural world.... READ MORE...

Faith Holland Speculative Fetish

Our use of personal devices is inherently intimate: relations we establish with them also engender care. Transfer presents Speculative Fetish, the gallery’s second solo exhibition from Faith Holland addressing the way that technology functions as a metaphor for the body, both in the language we use and in the ways we behave.... READ MORE...

Drawn from a Score

Currently on view at Beall Center for Art + Technology, an exhibition that features artists whose works come directly from a written, visual or code-based score. From the event scores first developed by John Cage and Fluxus artists in the 1950s, to contemporary uses of code as a score for computational works.... READ MORE...

Digimag Journal 77 – Winter 2017. The Arts Ecosystem: deadline 16/12/2017

We cannot deny the vital role arts and creativity have to play within the energy and environmental field, especially in the current Anthropocene age, where the human impact on climate and nature is dominant and undisputed. What kind of artistic narratives are proven to be compelling and effective in raising ecological awareness? What is the challenge for arts and culture within this scenario? What are the main contributions to the media theories for the Anthropocene?... READ MORE...

Open Codes. Living in Digital Worlds

Today we live in a world of codes. The upcoming exhibition at ZKM - curated by Peter Weibel, Lívia Nolasco-Rózsás, Yasemin Keskintepe, Blanca Giménez, and Natalia Fuchs as external consultant – will give the opportunity to understand this world by collecting historical precursors of computer algorithms, artworks and scientific works.... READ MORE...