Seeing Forest by Robert Zhao Renhui
The central work of the exhibition, The Owl, The Travellers and The Cement Drain (2024) is a filmic essay that reveals a series of hypnotic scenes from the forest that are complemented by an unstable, fluctuating narrative of two human characters as they journey through it. By eschewing familiar documentary approaches, ecologically-minded activist perspectives, and the certainties of linear narrative, Zhao aims to transpose the forest into a new register: a mutable space of possibility.... READ MORE...

















