Open Set is pleased to announce Open Set Lab, a new research programme on the intersection between design, film, art and the humanities. The Lab comprises lectures, interactive real-time sessions and group critiques led by notable Dutch and international figures in design, art and research.
To name a few: James Bridle (UK), Catalogtree (Netherlands), Annet Dekker (Netherlands), Sebastian Groes (UK), Johan Grimonprez (Belgium), Arne Hendriks (Netherlands), Mishka Henner (UK), !Mediengruppe Bitnik (Switzerland), Martine Stig (Netherlands), Noam Toran (US/UK).
The programme provides a unique opportunity to fully access one of the largest audio visual archives in Europe: the Netherlands Institute for Sound and Vision (television, radio, music, documentary films), containing factual and fictional narratives from 1898 to the present.
The Lab is aimed at International designers, media artists, filmmakers, journalists, archivists and researchers, and offers participants flexibility through an innovative hybrid learning environment in both the online and physical realms, with dual headquarters at the Netherlands Institute for Sound and Vision and the Master Institute at AKV|St.Joost. The five-month programme concludes with a public conference where participants can present their results. To apply, please visit the website. The deadline is June 26, 2017. Applications are accepted on a rolling basis.
Memories of the Future
In light of the increasing complexity and uncertainty of the political, environmental and social challenges humanity is facing now, a growing number of events and publications are addressing the necessity and difficulty of envisioning alternative futures. There seems to be an urge for re-engaging with our heritage and memories, not only as the “source” of the present condition but, paradoxically, as an instrument for planning the future. How can we de-mystify our historical conventions, re-contextualize our previous experience, give it new meaning based on present conditions and transform it for the future? How do we preserve the traces of the past, and how do we make sense of them in the digital age? Whether it be social network platforms, carefully curated collections, or state archives, how we archive and what we archive are unavoidable aspects that determine our memory.
The Lab investigates the power of agency held by designers and artists to create new tools, ways of thinking and visual or performative narratives that can reactivate our memory—and as a result, open up futuristic pluralities. However, the complexity of the global challenges described above calls for a concerted effort of research expertise in the domains of the arts, humanities, philosophy and technology.
The programme consists of three interconnected thematic trajectories:
1 – Mutation of the nature, meaning and practice of archives in the digital era. The contemporary archive as an authority that narrates collective memories versus a territory for creating subjective memories and futuristic pluralities.
2 – Visual strategies in audio visual documents: the codified construction of events or facts. What role does fiction play in factual news reporting? The constructing of a public audience in the history of broadcasting: conventions, or contradictory evidence proposing an alternative audience or alternative history of the same events.
3 – Algorithmic nature of contemporary data archives: curatorial dimension of algorithms for analysing, searching and distributing content; influence of computer learning mechanisms on the design of archival algorithms. The archival process and archival infrastructure: misuse and disruption of systems that predetermine the usual direction of viewing and navigation.
The Open Set Lab continues the international cultural dialogue initiated in 2015 in the Netherlands and South Korea. Supported by Het Pauwhof Fonds. In collaboration with the Netherlands Institute for Sound and Vision, AKV|St.Joost Master Institute, and Design Curating & Writing MA, Design Academy Eindhoven.
Open Set is an independent education platform that promotes the social relevance of design and visual culture. Designed to enrich an active studio practice or ongoing education, our programmes are aimed at makers and thinkers who seek a deeper understanding of emergent discourses, and those who want to take their work in new, unexpected directions.