{"id":50546,"date":"2017-02-09T11:00:13","date_gmt":"2017-02-09T09:00:13","guid":{"rendered":"http:\/\/www.digicult.it\/?p=50546"},"modified":"2017-02-09T14:46:38","modified_gmt":"2017-02-09T12:46:38","slug":"far-side-marchlands","status":"publish","type":"post","link":"https:\/\/digicult.it\/it\/articles\/activism\/far-side-marchlands\/","title":{"rendered":"On the Far Side of the Marchlands"},"content":{"rendered":"<span class=\"cb-itemprop\" itemprop=\"reviewBody\">Con \u201cmarchland\u201d si fa riferimento a una territorio di confine oltre il controllo diretto dello Stato, governato da leggi mutevoli. <b>La mostra <i>On the Far Side of the Marchlands<\/i><\/b> esplora il potenziale delle topografie totalmente nuove in regioni di confine (marchlands) create dagli artisti, composte da reami esperenziali, culturali e materiali inestricabilmente collegati. <b>The <i>3D Additivist Cookbook<\/i>, concepito e pubblicato da Morehshin Allahyari e Daniel Rourke<\/b> \u00e8 il punto di partenza della mostra, e riunisce progetti radicali di oltre cento artisti, attivisti e teorici.<\/p>\n<p>La mostra presso la\u00a0 <b>Ernst Schering Foundation<\/b> include lavori di <b>Morehshin Allahyari, Cathrine Disney, Keeley Haftner, Brittany Ransom, e Daniel Rourke<\/b>, che esaminano la stampa 3D e il suo potenziale rivoluzionario. Oltre l\u2019aspettativa delle pratiche DIY e la cultura manuale, gli artisti puntano a trasformare la stampa 3D in uno strumento per l\u2019emancipazione e l\u2019attivismo. Inoltre, lo scopo \u00e8 quello di aiutare lo sviluppo di idea speculative, provocatorie, e peculiari attraverso la combinazione di arte, tecnologia e scienza.<\/p>\n<p><a href=\"https:\/\/digicult.it\/wp-content\/uploads\/2017\/02\/marchlands1.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-50548\" src=\"https:\/\/digicult.it\/wp-content\/uploads\/2017\/02\/marchlands1.png\" alt=\"marchlands1\" width=\"759\" height=\"510\" srcset=\"https:\/\/digicult.it\/wp-content\/uploads\/2017\/02\/marchlands1.png 759w, https:\/\/digicult.it\/wp-content\/uploads\/2017\/02\/marchlands1-300x202.png 300w\" sizes=\"auto, (max-width: 759px) 100vw, 759px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/digicult.it\/wp-content\/uploads\/2017\/02\/marchlands2.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-50549\" src=\"https:\/\/digicult.it\/wp-content\/uploads\/2017\/02\/marchlands2.png\" alt=\"marchlands2\" width=\"759\" height=\"1088\" srcset=\"https:\/\/digicult.it\/wp-content\/uploads\/2017\/02\/marchlands2.png 759w, https:\/\/digicult.it\/wp-content\/uploads\/2017\/02\/marchlands2-209x300.png 209w, https:\/\/digicult.it\/wp-content\/uploads\/2017\/02\/marchlands2-714x1024.png 714w\" sizes=\"auto, (max-width: 759px) 100vw, 759px\" \/><\/a><\/p>\n<p><b>All\u2019interno di ever elusive \u2013 thirty years of transmediale<\/b>, l\u2019opera di Daniel Rourke e Morehshin Allahyari The <i>3D Additivist Cookbook<\/i> far\u00e0 parte della <b>mostra speciale \u201cAlien Matter\u201d (2 febbraio &#8211; 5 marzo 2017) curata da Inke Arns, <\/b>presso la Haus der Kulturen der Welt.<\/p>\n<p>Il libro \u00e8 stato presentato in Europa alla Haus der Kulturen der Welt lo scorso 4 febbraio 2017, con Morehshin Allahyari, Miriam Rasch, Daniel Rourke et. al.\u00a0 <b>Insieme a Dorothy Santos, Rasheedah Phillips e Luiza Prado &amp; Pedro Oliveira<\/b> (A Parede), gli artisti hanno partecipato al panel \u201cSingularities\u201d il 5 febbraio 2017. <i>The 3D Additivist Cookbook<\/i> \u00e8 disponibile su additivism.org\/cookbook<\/p>\n<p><a href=\"http:\/\/www.scheringstiftung.de\/\">http:\/\/www.scheringstiftung.de\/<\/a>\n<\/span>","protected":false},"excerpt":{"rendered":"<p>\u201cMarchland\u201d \u00e8 un termine medievale e fa riferimento ad una terra di confine esente dal controllo diretto dello Stato, governata da leggi e norme in continuo cambiamento. L&#8217;esposizione On the Far Side of the Marchlands esplora il potenziale di topografie radicalmente nuove attraverso regioni di confine (marchlands) create dall&#8217;artista, composte da regni d&#8217;esperienza, cultura e materialit\u00e0 inestricabilmente uniti tra loro.<\/p>\n","protected":false},"author":1,"featured_media":50547,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,328],"tags":[272,48],"class_list":["post-50546","post","type-post","status-publish","format-standard","has-post-thumbnail","category-activism","category-news-agenda","tag-fabbing","tag-hacking","agenda-2017-02"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>On the Far Side of the Marchlands &#8226; Digicult | Digital Art, Design and Culture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/digicult.it\/articles\/activism\/far-side-marchlands\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"On the Far Side of the Marchlands &#8226; Digicult | Digital Art, Design and Culture\" \/>\n<meta property=\"og:description\" content=\"[:it]\u201cMarchland\u201d \u00e8 un termine medievale e fa riferimento ad una terra di confine esente dal controllo diretto dello Stato, governata da leggi e norme in continuo cambiamento. L&#039;esposizione On the Far Side of the Marchlands esplora il potenziale di topografie radicalmente nuove attraverso regioni di confine (marchlands) create dall&#039;artista, composte da regni d&#039;esperienza, cultura e materialit\u00e0 inestricabilmente uniti tra loro.[:en]A \u201cmarchland\u201d is a medieval term for a borderland beyond direct state control, governed by changing laws and rules. 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