{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"The latest endeavours of DjSpooky: The Imaginary App and the The Met Reframed residency","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"44AeQBpmw5\"><a href=\"https:\/\/digicult.it\/it\/news\/the-imaginary-world-of-paul-d-miller\/\">Le ultime produzioni di DjSpooky: The Imaginary App e la residenza The Met Reframed<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/news\/the-imaginary-world-of-paul-d-miller\/embed\/#?secret=44AeQBpmw5\" width=\"600\" height=\"338\" title=\"&#8220;Le ultime produzioni di DjSpooky: The Imaginary App e la residenza The Met Reframed&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"44AeQBpmw5\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2013\/03\/spooky1.png","thumbnail_width":680,"thumbnail_height":496,"description":"Several authors in the past issues of Digimag have widely focused on the artistic projects of Paul D. Miller aka DJ Spooky that Subliminal Kid, an inexhaustible artist whose works have the \u2018remix\u2019 as a core concept and primary form of representation. The following article traces Miller\u2019s latest endeavours, in particular his residency at the prestigious Metropolitan Museum of Art in New York, and the forthcoming book project about the terrific production of apps for mobile devices."}