{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"The digital oblivion International Symposium &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"zXEOYC8Qs7\"><a href=\"https:\/\/digicult.it\/it\/news\/the-digital-oblivion-international-symposium\/\">The digital oblivion International Symposium<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/news\/the-digital-oblivion-international-symposium\/embed\/#?secret=zXEOYC8Qs7\" width=\"600\" height=\"338\" title=\"&#8220;The digital oblivion International Symposium&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"zXEOYC8Qs7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2010\/11\/oblivion.jpg","thumbnail_width":480,"thumbnail_height":330,"description":"Come parte costitutiva di un progetto di ricerca pi\u00f9 ampio che mira alla conservazione dell'arte digitale, questo convegno internazionale ha lo scopo di esaminare il futuro della nostra memoria culturale del digitale, concentrandosi in particolare sulla conservazione della computer-based art. Per millenni, i sistemi di trasmissione con stabilit\u00e0 a lungo termine hanno plasmato il nostro senso del tempo e della storia, contribuendo alla costruzione di un'immagine di noi stessi e del mondo. La costante minaccia all'eredit\u00e0 culturale da parte di fattori esterni \u0096 che siano la guerra, gli atti di deliberata distruzione o processi di decomposizione naturale \u0096 ha dimostrato che la memoria culturale viene percepita come longeva e affidabile dalla nostra mente. As part of the broader research project digital art conservation this intermational symposium aims to investigate the future of our digital cultural memory, focusing in particular on the preservation of computer-based art. For millennia, transmission systems with long-term stability shaped our sense of time and of history, helping form our image of ourselves and of the world. The ever-present threat to cultural heritage from external factors - whether war, deliberate destruction or processes of natural decomposition - meant that cultural memory was arranged with longevity and reliability in mind."}