{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Public 2.0: The Era of information openess &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"znikMgdDhT\"><a href=\"https:\/\/digicult.it\/it\/news\/public-2-0-the-era-of-information-openess\/\">Public 2.0: The Era of information openess<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/news\/public-2-0-the-era-of-information-openess\/embed\/#?secret=znikMgdDhT\" width=\"600\" height=\"338\" title=\"&#8220;Public 2.0: The Era of information openess&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"znikMgdDhT\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2011\/07\/public2.jpg","thumbnail_width":480,"thumbnail_height":330,"description":"In anni recenti, una serie di cambiamenti significativi in campo tecnologico, sociale e dei media ha ridefinito le relazioni tra produttori culturali e tutte quelle fasce di persone che erano precedentemente chiamati lettori, pubblico e utenti. Parallelamente, un numero di informazioni senza precedenti \u00e8 entrato nel dominio pubblico a seguito delle pressioni politiche top-down oltre che dell'attivismo sociale bottom-up. Tale processo ha dato vita a turno a nuovi movimenti culturali, opportunit\u00e0 per la creativit\u00e0, forme di visualizzazione delle informazioni e tecniche di produzione di contenuti.In recent years significant changes in the technological, social and media landscapes have redrawn relationships between cultural producers of all stripes and the people previously called readers, audiences and users. In parallel with this, unprecedented amounts of information have entered the public domain as a result of both top-down policy pressures and 'bottom-up' social activism. This process in turn has given birth to new cultural movements, opportunities for creativity, forms of information visualisation, and modes of content production."}