{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Parasol Elektroniczny Rumors from the Eastern underground &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"WS7KeClYjm\"><a href=\"https:\/\/digicult.it\/it\/news\/parasol-elektroniczny-rumors-from-the-eastern-underground\/\">Parasol Elektroniczny Rumors from the Eastern underground<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/news\/parasol-elektroniczny-rumors-from-the-eastern-underground\/embed\/#?secret=WS7KeClYjm\" width=\"600\" height=\"338\" title=\"&#8220;Parasol Elektroniczny Rumors from the Eastern underground&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"WS7KeClYjm\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2010\/12\/parasol2.jpg","thumbnail_width":480,"thumbnail_height":330,"description":"Il primo episodio della serie \"Parasol Elektroniczny. Rumors from the Eastern underground\" rappresenta un'eccezione sotto due aspetti. In primo luogo, perch\u00e9 essendo in viaggio verso Tallinn a quel tempo ho seguito personalmente le interviste con gli artisti. The first episode of the \"Parasol Elektroniczny. Rumors from the Eastern underground\" series is an exception in two regards. Firstly, as I happened to be on a journey to Tallinn at that time, Felix Kubin conducted the interviews with the artists himself. This task is usually carried out by our umbrella agents. The second unusual feature is its duration. At over 80 minutes, it could almost be considered a double feature. However, television pilot programs are often longer than their follow-ups, and I don't see any reason why this should not apply to audio features too. Also, the Estonian episode is a good introduction to the vibrancy and variety of the Eastern European underground scene."}