{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Media Art e mercati dell\u2019arte: intervista a Pau Waelder &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"3LLnHAxSK6\"><a href=\"https:\/\/digicult.it\/it\/news\/media-art-e-mercati-dellarte-intervista-pau-waelder\/\">Media Art e mercati dell\u2019arte: intervista a Pau Waelder<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/news\/media-art-e-mercati-dellarte-intervista-pau-waelder\/embed\/#?secret=3LLnHAxSK6\" width=\"600\" height=\"338\" title=\"&#8220;Media Art e mercati dell\u2019arte: intervista a Pau Waelder&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"3LLnHAxSK6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2017\/02\/waelder_feature-image.png","thumbnail_width":1400,"thumbnail_height":600,"description":"[:en]Pau Waelder is a researcher, art critic and curator who recently finished his PhD about the art market, its displacement on internet platforms and the interactions between contemporary art and New Media Art. His research acknowledge the explosion of the Post-Internet Art, as example of an artistic sector connected to New Media Art that stimulated the interest of the traditional art market.[:it]Pau Waelder \u00e8 un ricercatore, critico d\u2019arte e curatore che ha appena terminato il suo dottorato di ricerca sul mercato dell\u2019arte, il suo trasferimento sulle piattaforme in rete e l\u2019interazione tra arte contemporanea e New Media Art. La sua ricerca prende atto dell\u2019esplosione dell\u2019Arte Post-Internet, come esempio di un settore artistico connesso alla New Media Art che stimola l\u2019interesse del tradizionale mercato dell\u2019arte. [:]"}