{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"LIFE: fluid, invisible, inaudible &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"slnGKua3jQ\"><a href=\"https:\/\/digicult.it\/it\/news\/life-fluid-invisible-inaudible\/\">LIFE: fluid, invisible, inaudible<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/news\/life-fluid-invisible-inaudible\/embed\/#?secret=slnGKua3jQ\" width=\"600\" height=\"338\" title=\"&#8220;LIFE: fluid, invisible, inaudible&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"slnGKua3jQ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"While the genesis of this piece is in Sakamoto Ryuichi's opera \"LIFE\" (first performed in 1999, for which Takatani Shiro the video aspects) as is evident in the title's \"fluid, invisible, inaudible ...\" it revisits the resources of sound and vision in \"LIFE\" now,several years later, in this new millenium, for an entirely new deconstruction and evolution of the work. Mentre la genesi di questo pezzo dall'opera di Ryuichi Sakamoto  \"LIFE\" (suonata per la prima volta nel 1999, e per la quale Takatani Shiro aveva lavorato all'aspetto video) \u00e8 evidente nel titolo \"fluid, invisible, inaudible ...\", essa in realt\u00e0 rivisita gli aspetti visuali di \"LIFE\" oggi, molti anni dopo, per un'evoluzione del lavoro totalmente decostruita.","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/images\/Components\/break.gif"}