{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Artificial Darkness: la storia oscura dell'Arte Moderna e della Media Art &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"kmuDH2GuHJ\"><a href=\"https:\/\/digicult.it\/it\/news\/artificial-darkness-obscure-history-modern-art-media\/\">Artificial Darkness: la storia oscura dell&#8217;Arte Moderna e della Media Art<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/news\/artificial-darkness-obscure-history-modern-art-media\/embed\/#?secret=kmuDH2GuHJ\" width=\"600\" height=\"338\" title=\"&#8220;Artificial Darkness: la storia oscura dell&#8217;Arte Moderna e della Media Art&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"kmuDH2GuHJ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2017\/01\/darkness1.png","thumbnail_width":1400,"thumbnail_height":600,"description":"[:it]Noam Elcott, professore di storia ed archeologia presso la Columbia University, ha da poco pubblicato un nuovo libro per la MIT press: \"Artificial Darkness\" \u00e8 uno studio originale e pionieristico sul buio artificiale, inteso come oscurit\u00e0 regolata tecnologicamente; in altre parole, \u00e8 uno studio sul ruolo dei \u201cblack screen\u201d nell\u2019arte e nei media a partire dal XIX secolo.[:en]Noam Elcott, an associate professor of art history and archaeology at Columbia University, recently released this new book for MIT press: Artificial Darkness which is an original and pioneering study about artificial darkness, meaning technology controlled darkness, in other words an investigation about the role of \u201cblack screens\u201d in shaping arts and media practices from the 19th century onwards.[:]"}