{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"afterglow: la ventisettesima edizione di transmediale. Un report non linerare &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Cqc2JRcp6O\"><a href=\"https:\/\/digicult.it\/it\/news\/afterglow-27th-transmediale-a-nonlinear-report\/\">afterglow: la ventisettesima edizione di transmediale. Un report non linerare<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/news\/afterglow-27th-transmediale-a-nonlinear-report\/embed\/#?secret=Cqc2JRcp6O\" width=\"600\" height=\"338\" title=\"&#8220;afterglow: la ventisettesima edizione di transmediale. Un report non linerare&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"Cqc2JRcp6O\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2014\/02\/tmreport3.png","thumbnail_width":680,"thumbnail_height":515,"description":"Commissioned works, performances, conferences, talks, and an Internet black market have spiced up afterglow, the 27th transmediale that has taken place between 29.01 and 02.02 as usual at Haus der Kulturen der Welt in Berlin. Under the multiple meanings of the afterglow, and slogans such as \u201cHow do you feel today?\u201d \u201cFeel Healthy, Feel Fit\u201d, the debate has rotated around the different approaches towards e-waste, cloud computing, surveillance, mining, big data, and whistle-blowers."}