{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Realt\u00e0 astratta e mondo nascosto. Un report frammentato del Resonate 2017 &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"DtOECVGJMX\"><a href=\"https:\/\/digicult.it\/it\/news\/abstracted-reality-hidden-world-fragmented-report-resonate-2017\/\">Realt\u00e0 astratta e mondo nascosto. Un report frammentato del Resonate 2017<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/news\/abstracted-reality-hidden-world-fragmented-report-resonate-2017\/embed\/#?secret=DtOECVGJMX\" width=\"600\" height=\"338\" title=\"&#8220;Realt\u00e0 astratta e mondo nascosto. Un report frammentato del Resonate 2017&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"DtOECVGJMX\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2017\/06\/resonate6.png","thumbnail_width":1400,"thumbnail_height":600,"description":"[:en]Amongst the usual slew of corporate-funded projects that many of the artists and designers presented at Belgrade's Resonate festival this year, it was good to see a strand of work revealing ideas addressing cultural engagement and the contemporary political landscape. With Nora O'Murcha at the helm of the arts programme, it was reassuring to see her once again bringing her art and design take to the festival, following her 2015 curating of the \"New Black\" exhibition .[:it]In mezzo alla solita sfilza di progetti finanziati dalle grandi imprese, che molti artisti e designer hanno presentato al Resonate festival di Belgrado quest\u2019anno, si \u00e8 finalmente visto un filone di opere che mostrano idee attinenti all\u2019impegno culturale e al panorama politico contemporaneo. Nora O'Murcha, al timone del programma delle arti, ha contribuito al festival, con grande piacere da parte nostra, con la sua visione dell\u2019arte e del design, dopo aver curato nel 2015 la mostra \"The New Black\".[:]"}