{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Il Teatro Del Controllo Elettronico &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"byW6EE0vRG\"><a href=\"https:\/\/digicult.it\/it\/hacktivism\/the-theatre-of-electronic-surveillance\/\">Il Teatro Del Controllo Elettronico<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/hacktivism\/the-theatre-of-electronic-surveillance\/embed\/#?secret=byW6EE0vRG\" width=\"600\" height=\"338\" title=\"&#8220;Il Teatro Del Controllo Elettronico&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"byW6EE0vRG\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2007\/11\/hackart_annamariamonteverdi04.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]Does anyone remember Enemy of The State directed by Tony Scott and starring Will Smith and Gene Hackman? The story deals with a man targeted by closed-circuit cameras, radars, bugs, satellite indicators, high-sensitive microphones following each of his movements. This movie as many others is concerned with important issues such as control, wire-tapping, data security and satellite espionage. Among them we must mention Francis Ford Coppola's The Conversation,The End of violence by the German director Wenders and The listening, shut in 2006 by the Italian director Giacomo Martelli.[:it]Qualcuno ricorder\u0088 il film Nemico pubblico di William Wellman con Will Smith e Gene Hackman, inquietante storia di un uomo tracciato da videocamere, rilevatori di frequenze radio, cimici elettroniche, registratori satellitari, microfoni ad alta sensibilit\u0088 che lo inseguivano in ogni suo spostamento. Pellicola che si aggiunge ad altre che hanno trattato la questione del controllo, delle intercettazioni, della sicurezza dei dati e dello spionaggio satellitare: La conversazione di Coppola, Crimini invisibili di Wenders, In ascolto di Giacomo Martelli. [:]"}