{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"\u201cXenogenesis\u201d fantascienza del presente &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Se5lZE5NHT\"><a href=\"https:\/\/digicult.it\/it\/digimag\/xenogenesis-a-science-fiction-of-the-present\/\">\u201cXenogenesis\u201d fantascienza del presente<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/xenogenesis-a-science-fiction-of-the-present\/embed\/#?secret=Se5lZE5NHT\" width=\"600\" height=\"338\" title=\"&#8220;\u201cXenogenesis\u201d fantascienza del presente&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"Se5lZE5NHT\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2020\/03\/coverXenogenesis.jpg","thumbnail_width":1400,"thumbnail_height":600,"description":"[:en]What confrontations, complexities, critiques and conundra emerge when art adopts the perspective of the alien? The implications of this anthropic inversion proliferate throughout\u00a0Xenogenesis, the first major solo exhibition of The Otolith Group in Australia, which brings together a cross-section of influential artworks from 2013 to 2018.[:it]Quali sono gli scontri, le complessit\u00e0, le critiche e i dilemmi che emergono quando l\u2019arte adotta una prospettiva aliena? Le implicazioni di questa inversione antropica proliferano in tutta la Xenogenesis, la prima grande mostra personale in Australia dell\u2019Otolith Group, che riunisce una sezione delle pi\u00f9 influenti opere d\u2019arte dal 2013 al 2018.[:]"}