{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Mondi Paralleli. L'arte Misteriosa Di Doron Golan &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KbefL9SiXe\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-067\/parallel-worlds-the-mysterious-doron-golan\/\">Mondi Paralleli. L&#8217;arte Misteriosa Di Doron Golan<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-067\/parallel-worlds-the-mysterious-doron-golan\/embed\/#?secret=KbefL9SiXe\" width=\"600\" height=\"338\" title=\"&#8220;Mondi Paralleli. L&#8217;arte Misteriosa Di Doron Golan&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"KbefL9SiXe\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2005\/06\/numero67_-Paralle-worlds-01.png","thumbnail_width":680,"thumbnail_height":496,"description":"[:en]Doron Golan has been making short movies using the QuickTime format for over thirteen years. For most of this period he has been posting his work to the internet. He was a pioneer of net video and his work is profoundly marked by its digital facture and its presence on the net. I believe it to be a body of work of great significance - fearless, rich, human and often profound.[:it]Doron Golan ha girato cortometraggi utilizzando il formato QuickTime per oltre trent'anni. Per gran parte di questo periodo ha postato le sue produzioni su Internet. \u00e9 stato un pioniere della pubblicazione di video in rete e la sua opera \u008f profondamente segnata dalla sua produzione digitale e dalla sua presenza sul web. Lo considero un apparato di opere di grande significato: coraggioso, ricco, umano e spesso profondo.[:]"}