{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Estetica Rampicante. Libia Castro & Olafur Olafsson &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"3vieiOBlYn\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-067\/climbing-aesthetics-libia-castro-olafur-olafsson\/\">Estetica Rampicante. Libia Castro &#038; Olafur Olafsson<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-067\/climbing-aesthetics-libia-castro-olafur-olafsson\/embed\/#?secret=3vieiOBlYn\" width=\"600\" height=\"338\" title=\"&#8220;Estetica Rampicante. Libia Castro &#038; Olafur Olafsson&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"3vieiOBlYn\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2011\/09\/numero67_-Climbing-Aesthetics-01.png","thumbnail_width":680,"thumbnail_height":496,"description":"[:en]Last June, on the train to Venice, I was reading with little timingThe Radicant, Nicolas Bourriaud\u00c3\u0083\u00c2\u00a2\u00c3\u00a2\u00e2\u0080\u009a\u00c2\u00ac\u00c3\u00a2\u00e2\u0080\u009e\u00c2\u00a2s last essay published already in 2009 by Sternberg Press. A few hours later, I was in the charming courtyard of the Collegio Armeno, which houses the Icelandic pavilion of the 54th Venice Biennial: Libia Castro & \u00c3\u0083\u00c6'\u00c3\u00a2\u00e2\u0082\u00ac\u00c5'lafur \u00c3\u0083\u00c6'\u00c3\u00a2\u00e2\u0082\u00ac\u00c5'lafsson\u00c3\u0083\u00c2\u00a2\u00c3\u00a2\u00e2\u0080\u009a\u00c2\u00ac\u00c3\u00a2\u00e2\u0080\u009e\u00c2\u00a2s exhibition Under Deconstruction.[:it]Lo scorso giugno, sul treno per Venezia, leggevo con scarso tempismo The Radicant, l'ultimo saggio di Nicolas Bourriaud edito gi\u0088 nel 2009 da Sternberg Press. Qualche ora dopo mi trovavo nel suggestivo cortile del Collegio Armeno che ospita, per il padiglione islandese della LIV Esposizione internazionale d'arte di Venezia, la mostra Under Deconstruction di Libia Castro & Olafur Olafsson. Nel tentativo di rielaborare, in una prospettiva estetica, le dibattute nozioni di multiculturalismo, postmodernismo e globalizzazione e di proporne il superamento in un una altermodernity su scala globale, da costruire attraverso la cooperazione e la traduzione fra differenti identit\u0088 culturali, Bourriaud delinea i tratti di una estetica del XXI secolo che definisce radicant, rampicante: un termine che designa those plants that do not depend on a single root for their growth but advance in all directions on whatever surfaces present themselves by attaching multiple hooks to them, as ivy does[:]"}