{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Art\/tapes\/22. Intervista A Maria Gloria Bicocchi &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"fpsPxJWkdK\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-067\/arttapes22-interview-with-maria-gloria-bicocchi\/\">Art\/tapes\/22. Intervista A Maria Gloria Bicocchi<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-067\/arttapes22-interview-with-maria-gloria-bicocchi\/embed\/#?secret=fpsPxJWkdK\" width=\"600\" height=\"338\" title=\"&#8220;Art\/tapes\/22. Intervista A Maria Gloria Bicocchi&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"fpsPxJWkdK\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2011\/09\/numero67_-Art-01.png","thumbnail_width":680,"thumbnail_height":496,"description":"[:en]Between 1972 and 1976, a venue on the ground floor in Via Riccasoli 22, in Firenze, acted as the main setting for one of the key moments that brought about the video art in Italy. At that very address, Maria Gloria Bicocchi and her husband Giancarlo founded art\/tapes\/22, the center for the moving video, which started in Florence, but then followed the couple as they were traveling to other residences, in Santa Teresa, near Follonica, and Sant\u00c3\u00a2\u00e2\u0082\u00ac\u00e2\u0084\u00a2Ippolito, in the Volterra countryside, reaching (complete with tapes and equipment) artists\u00c3\u00a2\u00e2\u0082\u00ac\u00e2\u0084\u00a2 studio, galleries and cultural centres in Italy and abroad.[:it]Tra il 1972-1976, un locale al piano terra di Via Riccasoli 22, a Firenze, \u00c3\u00a8 stato la sede di una delle esperienze di riferimento per la nascita della video arte italiana. Maria Gloria Bicocchi e il marito Giancarlo fondarono l'art\/tapes\/22, centro per il video in movimento che da Firenze si spostava spesso verso le altre residenze della coppia, a Santa Teresa, vicino Follonica, e Sant'Ippolito, nelle campagne volterrane, oppure raggiungeva, insieme ai nastri e attrezzature, gli studi degli artisti, le gallerie e centri culturali in Italia e all'estero.[:]"}