{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"L'immagine Del Suono. La Pancia Di Yuri Ancarani &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"nx1KddRDSI\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-066\/the-image-of-sound-yuri-ancaranis-stomach\/\">L&#8217;immagine Del Suono. La Pancia Di Yuri Ancarani<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-066\/the-image-of-sound-yuri-ancaranis-stomach\/embed\/#?secret=nx1KddRDSI\" width=\"600\" height=\"338\" title=\"&#8220;L&#8217;immagine Del Suono. La Pancia Di Yuri Ancarani&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"nx1KddRDSI\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2011\/07\/numero66_-The-Image-01.png","thumbnail_width":680,"thumbnail_height":496,"description":"[:en]Yuri Ancarani (Ravenna, 1972) likes to define himself a visual artist\/film maker. He developed his research by starting studying his territory, the land where he was born: the Riviera Romagnola. As for his music video Vicino al Cuore (2003), work that he claims to love the most, or Kras (Bora, 2011) or Carrara caves (Il Capo, 2010), he always succeeds to catch the invisible aspect that transmits to the public the meaning of those places.[:it]Yuri Ancarani (Ravenna 1972), 'artista visivo - film maker' come si definisce, sviluppa la sua ricerca partendo dal territorio. Che sia il suo d'origine, la riviera e la Romagna come per il video Vicino al Cuore (2003), che dichiara essere l'opera alla quale \u008f pi\u009d legato, oppure il Carso (Bora, 2011) o le cave di Carrara (Il Capo, 2010), coglie sempre l'aspetto invisibile che riempie di significato quei luoghi.[:]"}