{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Videozoom Japan. Re-Inquadrare Il Quotidiano &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Otn67olmlV\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-062\/videozoom-japan-re-framing-the-daily\/\">Videozoom Japan. Re-Inquadrare Il Quotidiano<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-062\/videozoom-japan-re-framing-the-daily\/embed\/#?secret=Otn67olmlV\" width=\"600\" height=\"338\" title=\"&#8220;Videozoom Japan. Re-Inquadrare Il Quotidiano&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"Otn67olmlV\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2011\/04\/numero62_-Videozoom-Japan-01.png","thumbnail_width":680,"thumbnail_height":496,"description":"[:en]From December 7th to January 10th, Kenichi Kondo, curator of the Mori Art Museum in Tokyo, presented a series of young Japanese artists at the Sala 1 - International Center for Contemporary Art in Rome, as part of the review Videozoom Japan. It was an overview of selected and formally interesting artistic production coming from the Rising Sun realized over the past decade, which focused on issues related to the re-framing of daily life (as suggested by the subtitle of this review).[:it]Dal 7 Dicembre al 10 Gennaio scorso, Kenicho Kondo, curatore del Mori Art Museum di Tokyo, ha presentato una serie di giovani artisti giapponesi presso Sala 1 - International Center for Contemporary Art di Roma, nell'ambito della rassegna Videozoom Japan. Un panorama selezionato e formalmente interessante della produzione artistica del Sol Levante degli ultimi dieci anni, incentrata sulle tematiche legate al re-inquadrare il quotidiano (come suggerisce il sottotitolo della rassegna).[:]"}