{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Passages. Travels In Hyperspace &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"lM4PSjYd6t\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-060\/passages-travels-in-hyperspace\/\">Passages. Travels In Hyperspace<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-060\/passages-travels-in-hyperspace\/embed\/#?secret=lM4PSjYd6t\" width=\"600\" height=\"338\" title=\"&#8220;Passages. Travels In Hyperspace&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"lM4PSjYd6t\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2007\/01\/numero60_-Passages-01.png","thumbnail_width":680,"thumbnail_height":496,"description":"[:en]The exhibition Passages. Travels in Hyperspace (16.10.2010 - 21.02.2011), clearly represents an attempt for the LABoral Centro de Arte y Creaci\u00f3n industrial of Gijon, Asturias, to make a qualitative leap. It doesn't mean that previous exhibitions were less ambitious - the big events the center has been hosting, starting with the first productive effort (Feedback, 2007), have few equal in the world. Indeed, the Spanish center has been curated by the world best curators (from Christiane Paul to Steve Dietz and Susanne Jaschko) who have been able to create projects that could not be conceived anywhere else.[:it]Con la mostra Passages. Travels in Hyperspace (16.10.2010 - 21.02.2011), il LABoral Centro de Arte y Creaci\u00f3n industrial di Gijon, nelle Asturie, tenta chiaramente un salto di scala. Non che le mostre precedenti fossero meno ambiziose, tutt'altro: i grandi eventi che ha ospitato a partire dal suo primo consistente sforzo produttivo (Feedback, 2007) hanno pochi equivalenti a livello internazionale. Non a caso, il centro spagnolo ha attratto alcuni dei migliori curatori sulla piazza (da Christiane Paul a Steve Dietz a Susanne Jaschko), che l\" hanno potuto concepire e produrre progetti che difficilmente avrebbero potuto essere realizzati altrove. [:]"}