{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Habemus Data. Cultura Digitale E Informazione Libera &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"1hSVD8fld9\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-056\/habemus-data-digital-culture-and-free-information\/\">Habemus Data. Cultura Digitale E Informazione Libera<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-056\/habemus-data-digital-culture-and-free-information\/embed\/#?secret=1hSVD8fld9\" width=\"600\" height=\"338\" title=\"&#8220;Habemus Data. Cultura Digitale E Informazione Libera&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"1hSVD8fld9\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2010\/07\/numero56_Habemus-data-01.png","thumbnail_width":680,"thumbnail_height":496,"description":"[:en]A close step far from the counter-reformation of the 'gag law', stirred by the fear of our politicians who are frightened of losing control on the information flow or of a excessive overexposure of privacy and details, we caught the opportunity to go back on the matter of Open Data. But what has Open data got to do with the 'problem' of interceptions and 'bugs' of public and private world? [:it]Ad un passo dalla controriforma della 'legge bavaglio', agitati dai timori dei nostri governanti che gridano al pericolo di un flusso di informazioni fuori controllo, di una sovraesposizione eccessiva di intimit\u0088 e dettagli, non potevano perdere occasione di ritornare sulla questione dell'Open Data. Ma cosa c'entra l'Open Data con il 'problema' delle intercettazioni, delle 'cimici', del pubblico e del privato? [:]"}