{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"L'extracorpo Di Stelarc: La Chimera Tecnologica &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"52wTZkIMwm\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-049\/stelarcs-extrabody-the-technologic-chimera\/\">L&#8217;extracorpo Di Stelarc: La Chimera Tecnologica<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-049\/stelarcs-extrabody-the-technologic-chimera\/embed\/#?secret=52wTZkIMwm\" width=\"600\" height=\"338\" title=\"&#8220;L&#8217;extracorpo Di Stelarc: La Chimera Tecnologica&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"52wTZkIMwm\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2009\/11\/ia_serenacangiano011.jpg","thumbnail_width":500,"thumbnail_height":333,"description":"[:en]Art concepts and techniques should always be avant-garde, and serve as an approach to men's comprehension as well as an anticipation of what they will be and how they will behave. In light of that assumption, Stelarc, who is a pioneer of extreme performances and of performances helped by interactive robotic systems and virtual reality, represents without a doubt an important reference point for all those who want to deal with an artistic project which uses technology as a means of expression.[:it]L'arte dovrebbe essere sempre avanguardia di concetti e tecniche per porsi come approccio alla comprensione degli uomini e all'anticipazione di cosa saranno e come si comporteranno. Alla luce di questa premessa, Stelarc, pioniere della performance estrema e della performance supportata da sistemi interattivi robotici e di realt\u0088 virtuale, rappresenta senza alcun dubbio un punto di riferimento fondamentale per tutti coloro che intendono affrontare un progetto artistico che punta ad utilizzare come mezzo espressivo la tecnologia.[:]"}