{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Soundclusters: Electronica Robotica &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"rKoKxEkAdn\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-046\/soundclusters-robotic-electronica\/\">Soundclusters: Electronica Robotica<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-046\/soundclusters-robotic-electronica\/embed\/#?secret=rKoKxEkAdn\" width=\"600\" height=\"338\" title=\"&#8220;Soundclusters: Electronica Robotica&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"rKoKxEkAdn\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2009\/07\/ia_giuliabaldi05.jpg","thumbnail_width":500,"thumbnail_height":333,"description":"[:en]Soundclusters is 'an ensemble of four robots (violin, viola, cello and percussion) created by the multidisciplinary artist Roland Olbeter, that you 'play' through a midi controller. Through a commission by the festival Faster than Sound (UK) and Sonar (ES), the two 'sonic adventurers' Tim Exile (Warp) and Jon Hopkins (Domino) have collaborated with Olbeter (already active in the past as a set designer for some works of interactive theater for an important performance by Marcel Ant\u00fanez Roca, including aphasia from which the instrumentation of Soundclaster was created). Together the group have made a new work for this mechanical band, creating the conditions for a unique experience of co-operation between live music, man and machine, and for an exciting spectacle[:it]Soundclusters e' un ensemble di quattro robots (violino, viola, cello e percussioni) creati dall'artista multidisciplinare Roland Olbeter, che si 'suonano' attraverso un midi controller. Su commissione dei festival Faster than Sound (UK) e Sonar (ES) i due 'sonic adventurers' Tim Exile (Warp) e Jon Hopkins (Domino) hanno collaborato con Olbeter (gi\u0088 attivo in passato come set designer sia per alcune opere di teatro interattivo che per importanti performance di Marcel\" Antunez Roca, tra cui Afasia da cui la strumentazione del Soundclaster \u008f stata ricavata), e alla composizione di nuovi lavori per questa inusuale band meccanica, creando cos\" le premesse per una esperienza unica di co-operazione musicale live tra uomo e macchina, nonch\u008f per uno spettacolo esaltante.[:]"}