{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Douglas Gordon: Il Tempo Della Narrazione &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ymV94hMUKA\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-045\/douglas-gordon-the-time-of-narration\/\">Douglas Gordon: Il Tempo Della Narrazione<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-045\/douglas-gordon-the-time-of-narration\/embed\/#?secret=ymV94hMUKA\" width=\"600\" height=\"338\" title=\"&#8220;Douglas Gordon: Il Tempo Della Narrazione&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"ymV94hMUKA\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2009\/06\/videoart_francescobertocco01.jpg","thumbnail_width":500,"thumbnail_height":333,"description":"[:en]In the works of video artist Douglas Gordon - one of the most important visual artists of his generation, awarded with the prestigious Turner Prize in 1996 when he was just 30 years old - the timing of movie narration gets twisted by a new device, that modifies its extension, its message, and the perception of the action it encloses.[:it]Nell'opera del videoartista scozzese Douglas Gordon, uno dei pi\u009d importanti 'visual artists' della sua generazione, premiato a soli trent'anni con il prestigioso Turner Prize (1996), il tempo della narrazione filmica viene stravolto da un nuovo dispositivo, che se ne appropria modificandone l'estensione, il messaggio, e la percezione dell'azione che racchiude. [:]"}