{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"_augmentology 1[l]0[l]1_: Interfaccia Tra Due Mondi &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"fhofNpxXNu\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-045\/_augmentology-1l0l1_interface-between-two-worlds\/\">_augmentology 1[l]0[l]1_: Interfaccia Tra Due Mondi<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-045\/_augmentology-1l0l1_interface-between-two-worlds\/embed\/#?secret=fhofNpxXNu\" width=\"600\" height=\"338\" title=\"&#8220;_augmentology 1[l]0[l]1_: Interfaccia Tra Due Mondi&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"fhofNpxXNu\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2009\/06\/softwareart_markhancock01.jpg","thumbnail_width":500,"thumbnail_height":333,"description":"[:en]The _Augmentology 1[L]0[L]1_ project reaches out into a multitude of networked environments, like a multi-tendrilled creature, it explores and reports back information to a central hub, located at the _Augmentology 1[L]0[L]1_ blog. Existing in the virtual, the task is to explore other synthetic worlds and attempt to reflect back something of the nature of living within them and our own world. The resultant collection of projects and ideas can be considered a 'Synthetic Reality Manual' as Mez Breeze, who initiated the project, describes it. [:it]Il progetto Augmentology 1[L]0[L]1 si estende in una moltitudine di ambienti, come una creatura con molti viticci, esplora e riferisce le informazioni ad un hub centrale, collocato sul blog di Augmentology. Esistente nel virtuale, il compito \u008f quello di esplorare altri mondi sintetici, cercando di riflettere qualcosa della vita al loro interno e nel nostro mondo. L'insieme di idee e progetti che ne consegue pu\u0098 essere considerato come 'un manuale sintetico della realt\u0088', come viene definito da Mez Breeze che ha iniziato il progetto.[:]"}