{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Febbre Pathosformel &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IxiW5otSvu\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-043\/febbre-pathosformel\/\">Febbre Pathosformel<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-043\/febbre-pathosformel\/embed\/#?secret=IxiW5otSvu\" width=\"600\" height=\"338\" title=\"&#8220;Febbre Pathosformel&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"IxiW5otSvu\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2009\/04\/performing_massimoschiavoni01.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]26 January 2009. Pathosformel received the special prize UBU 2008 with the following award : 'young company aiming at an abstract and physical theatre to be pursued with an already distinct and layered sign, by which the research on material and form is the starting point to evoke a fragmented and deconstructed visionary theatricality of great charm, which exploded in the national and international scene, achieving a significant relationship between conceptual art and theatre.'[:it]26 Gennaio 2009 . I Pathosformel ricevono il premio speciale UBU 2008 con la seguente motivazione: 'giovane compagnia tesa a un teatro astratto e fisico da perseguire con un segno gi\u0088 distinto e stratificato, che fa della ricerca sulla materia e sul corpo un punto di partenza per restituire una teatralit\u0088 visionaria, frammentata, decostruita, di grande fascino, entrata in modo dirompente nella scena nazionale e internazionale, realizzando un significativo intreccio tra arte concettuale e teatro'. [:]"}