{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Philippe Parreno: No Ghost Just A Shell &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"icybItIhZr\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-042\/philippe-parreno-no-ghost-just-a-shell\/\">Philippe Parreno: No Ghost Just A Shell<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-042\/philippe-parreno-no-ghost-just-a-shell\/embed\/#?secret=icybItIhZr\" width=\"600\" height=\"338\" title=\"&#8220;Philippe Parreno: No Ghost Just A Shell&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"icybItIhZr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2009\/03\/videoart_francescobertotto01.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]I would like to begin this presentation of the work of a great French video artist and experimental filmmaker Philippe Parreno, with two specific terms: 'acquisition' and 'definition'. These are living a new semantic splendour inside the vocabulary of new technologies, mainly connected to the world of images, or the properties of images in function to their relationship as objects, even if virtual objects[:it]Inizierei questo testo di presentazione del lavoro di un grande video artista e cineasta sperimentale francese, Philippe Parreno, con due termini specifici: acquisizione e definizione. Essi rivivono infatti un nuovo splendore semantico all'interno del lessico delle nuove tecnologie, legati principalmente al mondo delle immagini, o meglio alla propriet\u0088 delle immagini in funzione al loro rapporto come oggetti, anche se virtuali.[:]"}