{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Trevor Wishart: La Chimica Del Suono &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"envHzR1L6x\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-041\/trevor-wishart-chemistry-of-sound\/\">Trevor Wishart: La Chimica Del Suono<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-041\/trevor-wishart-chemistry-of-sound\/embed\/#?secret=envHzR1L6x\" width=\"600\" height=\"338\" title=\"&#8220;Trevor Wishart: La Chimica Del Suono&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"envHzR1L6x\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2009\/02\/elettronica_matteomilani10.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]Trevor Wishart, born 1946 in Leeds, is a composer and performer who developed (not only) sound transformation tools in his Sound Loom - Composers' Desktop Project software package. He's the author of the worldwide-known books 'On Sonic Art' and 'Audible Design', where he shares his extensive research on extended human voice and computer music techniques for sound morphing. He is currently 'Arts Council Composer Fellow' in the Department of Music at Durham University, England. [:it]Trevor Wishart, nato nel 1946 a Leeds, \u008f un compositore e performer al quale \u008f stato recentemente assegnato il Grand Prize durante il Giga-Hertz-Award for electronic music 2008[:]"}