{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Anna Adamolo: Critica Pratica Dell'ideologia &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"U3HlNQihwQ\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-041\/anna-adamolo-practical-critique-of-ideology\/\">Anna Adamolo: Critica Pratica Dell&#8217;ideologia<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-041\/anna-adamolo-practical-critique-of-ideology\/embed\/#?secret=U3HlNQihwQ\" width=\"600\" height=\"338\" title=\"&#8220;Anna Adamolo: Critica Pratica Dell&#8217;ideologia&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"U3HlNQihwQ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2009\/02\/hackart_antoniocaroniai01.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]The Onda Anomala (Anomalous Wave) is the more important social phenomenon seen in Italy in the last years. It started from the school's ground, from the protests against the so-called Gelmini reform, but its value doesn't seem to be limited to that: it looks like the manifestation of a new process of global social mobilization. The material, cultural and moral uneasiness that starts from the problems of the school, is beginning to concern wider thematic: work, redistribution of wealth, lifestyle, democracy and equality Copyright vs Community, ci vediamo e salutiamo divertiti.[:it]L'Onda Anomala \u008f il fenomeno sociale pi\u009d importante che si sia visto in Italia negli ultimi anni. \u00c8 partito dal terreno della scuola, dalle proteste contro la cosiddetta 'riforma Gelmini', ma il suo valore non appare limitato a quel campo: sembra il sintomo di un nuovo processo di mobilitazione sociale globale. Il disagio materiale, culturale e morale che parte dai problemi della scuola, comincia a riguardare problemi pi\u009d vasti: quelli del lavoro, della redistribuzione della ricchezza, dello stile di vita, della democrazia e dell'uguaglianza [:]"}