{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Santarcengelo Dei Teatri: Il Festival E' Ancora Vivo &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"wkEulxws3J\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-037\/santarcengelo-of-theatres-festival-is-still-alive\/\">Santarcengelo Dei Teatri: Il Festival E&#8217; Ancora Vivo<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-037\/santarcengelo-of-theatres-festival-is-still-alive\/embed\/#?secret=wkEulxws3J\" width=\"600\" height=\"338\" title=\"&#8220;Santarcengelo Dei Teatri: Il Festival E&#8217; Ancora Vivo&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"wkEulxws3J\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2008\/09\/performing_annamariamonteverdi06.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]Santarcangelo is the venue of the most important and historic festival of research theatre, which was once just the festival of street theatre. And we were there! Also (and mainly) during this precarious edition, with no artistic director for the first time in its long history. We must report the valiant resistance of the actors of the now famous and historic 90s' generation (Teatrino clandestino, Fanny & Alexander, Motus), but also of the 80s' generation (first and foremost, Soc'etas and Le albe)[:it]A Santarcangelo, sede del pi\u009d importante e storico festival del teatro di ricerca, un tempo solo Festival del teatro di piazza, c'eravamo. Anche (e soprattutto) in quest'edizione precaria, priva di direzione artistica per la prima volta nella sua lunga storia. Dobbiamo registrare cos\" la bella resistenza dei teatranti, quelli della ormai celebre e storica 'generazione Novanta' (Teatrino clandestino, Fanny & Alexander, Motus) ma anche quelli della 'generazione 80' (in primis Soc'etas e Le albe). [:]"}