{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Julien Maire, Leonardo E L'anatomia Del Visivo &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ZFowZWXWcQ\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-037\/julien-maire-leonardo-and-the-visual-anatomy\/\">Julien Maire, Leonardo E L&#8217;anatomia Del Visivo<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-037\/julien-maire-leonardo-and-the-visual-anatomy\/embed\/#?secret=ZFowZWXWcQ\" width=\"600\" height=\"338\" title=\"&#8220;Julien Maire, Leonardo E L&#8217;anatomia Del Visivo&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"ZFowZWXWcQ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2008\/09\/videoart_claudiadalonzo03.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]The bewilderment between reality and illusion, between perceptive habits and a new way of watching through the video camera. A false step that interrupts the normal rhythm of perception and let us perceive other possible re-constructions of what we see. A jocose swing between these two levels is the trace that links the work of Julien Maire, a French artist living now in Berlin who, through performances and installations, apparently very different from each other, creates moments and spaces of compression, overlap and perceptive illusion.[:it]Lo sfasamento tra piano reale e illusione, tra abitudini percettive e un nuovo modo di guardare attraverso la macchina. Un passo falso che interrompe il ritmo normale di percezione e lascia intravedere altre possibili ri-costruzioni di ci\u0098 che vediamo. Un altalenare giocoso tra questi due piani \u008f la traccia che lega il lavoro di Julien Maire, artista francese trapiantato a Berlino, che attraverso performance e installazioni, apparentemente molto diverse tra loro, crea momenti e spazi di compressione, sovrapposizione e illusione percettiva. [:]"}